FROM ONE WRITER TO ANOTHER: ON READINGS...
I recently attended two readings with eight debut or fairly new authors. It's an honor to read, and to attend a reading, and frankly, an opportunity. At these readings, I learned a few things of what to do and what not to do:
-Prepare a short introduction for yourself.Don't rely on the good-hearted soul to introduce you in the manner or with the detail you may want to be introduced.
-If you are reading with other authors, have a plan.Who will go first? What will each of you read? How long will each of you read? For the audience the reading is a night out, a learning experience, and for you: A chance to sell your books. You are putting on a show, and the audience expects on some level to be entertained in exchange for considering your book.
-Test, test, test any audiovisual equipment before the reading. Test the sound with the idea that you will have a full room and it will need to be loud. Bring speakers if possible. Have a back up plan if the electronics fail. And don't get flustered if the electronics fail— just move on. People are here to see you, to hear you talk about your book, not to view the book trailer you spent a lot of money on (or, if you are lucky, your publisher spent a lot of money on).
-Now the reading. PRACTICE WHAT YOU ARE GOING TO READ in front of friends and relatives. Read slowly. Pause at the end of the sentence. Pause at the end of the paragraph and look up at your audience. Read with drama. Choose a dramatic section, preferably the opening. BRING A COPY OF YOUR BOOK (I'm always surprised when writers don't and then use a new brand-new copy from the sell pile, sometimes making it harder to sell that copy). Mark up your reading copy as you would a speech— underline key words or phrases. Make note to yourself to slow down and breathe—— in the margins or at ends of the paragraph. Don't apologize at the end of your reading about what you just read or how you read it. Now it's over. Just close the book and look up at your audience.
-Be prepared to answer basic questions from the audience such as:
-Did you always want to write?-What writers or books inspired you as a child?-What kind of research do you do on your book?
-Make sure you thank the audience, no matter how big, no matter how small, for attending. Remind them that the PRINT books are for sale...and signed editions are certainly
worth buying.
Dear fellow writers, I wish you much success with your books—and your readings.
Caroline
-Prepare a short introduction for yourself.Don't rely on the good-hearted soul to introduce you in the manner or with the detail you may want to be introduced.
-If you are reading with other authors, have a plan.Who will go first? What will each of you read? How long will each of you read? For the audience the reading is a night out, a learning experience, and for you: A chance to sell your books. You are putting on a show, and the audience expects on some level to be entertained in exchange for considering your book.
-Test, test, test any audiovisual equipment before the reading. Test the sound with the idea that you will have a full room and it will need to be loud. Bring speakers if possible. Have a back up plan if the electronics fail. And don't get flustered if the electronics fail— just move on. People are here to see you, to hear you talk about your book, not to view the book trailer you spent a lot of money on (or, if you are lucky, your publisher spent a lot of money on).
-Now the reading. PRACTICE WHAT YOU ARE GOING TO READ in front of friends and relatives. Read slowly. Pause at the end of the sentence. Pause at the end of the paragraph and look up at your audience. Read with drama. Choose a dramatic section, preferably the opening. BRING A COPY OF YOUR BOOK (I'm always surprised when writers don't and then use a new brand-new copy from the sell pile, sometimes making it harder to sell that copy). Mark up your reading copy as you would a speech— underline key words or phrases. Make note to yourself to slow down and breathe—— in the margins or at ends of the paragraph. Don't apologize at the end of your reading about what you just read or how you read it. Now it's over. Just close the book and look up at your audience.
-Be prepared to answer basic questions from the audience such as:
-Did you always want to write?-What writers or books inspired you as a child?-What kind of research do you do on your book?
-Make sure you thank the audience, no matter how big, no matter how small, for attending. Remind them that the PRINT books are for sale...and signed editions are certainly
worth buying.
Dear fellow writers, I wish you much success with your books—and your readings.
Caroline
Published on February 10, 2015 23:36
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Caroline Anna Bock Writes
Here's to a 2018 with
-stories that matter
-time to read those stories
-drive to write (and finish) my own stories.
Here's a happy, healthy world for all!
--Caroline
Here's to a 2018 with
-stories that matter
-time to read those stories
-drive to write (and finish) my own stories.
Here's a happy, healthy world for all!
--Caroline
...more
-stories that matter
-time to read those stories
-drive to write (and finish) my own stories.
Here's a happy, healthy world for all!
--Caroline
Here's to a 2018 with
-stories that matter
-time to read those stories
-drive to write (and finish) my own stories.
Here's a happy, healthy world for all!
--Caroline
...more
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