Theaphysics
Theaphysics
Etymology
The word "theaphysics" derives from the Greek words θέα (thea) ("The act of performing") and φυσικά (physiká) ("physics").
Theaphysics deals with that which is beyond Pataphyiscs. Pataphysics defines the ineffable, the unknown and the unknowable, transcending metaphysical laws and boundaries. It is the place where concepts and zeniths themselves are defined; where the ultimate level of reality, the origin of all definitions rest. Theaphysics steps beyond the transcendent hierarchical realm of the former, stepping in the realm that comes before the former and supersedes it at the same time.
In order to explain Theaphysics, its context of description will be manipulated in order to serve a relation at the minimum. One of the inescapable truths is that we are all stories. However, even Totality, Possibility and Nothingness are mere aspects of a story. The ultimate reality behind this is the paradigm in which defines this. In the most infinitesimal microcosm sense, you can see it every day, whenever you go to a library or surf the web of information:
0. Book Cover - title
1. Contents
2. Foreword
3. Prelude
4. Introductions
5. Story
6. Extra Chapter
7. Index
8. Back Cover - summary
Through these categories, you have something which is much more, as it is an unwritten unknowable unknown in plain sight. In another aspect, let's say you have an all-encompassing entity that is necessarily Meta-Omnipotent, Meta-Omnipresent, and Meta-Omniscient. This in effect is a mere fragment of the story - a zenith that is not even touching the surface that in which encompasses it. Just like a butterfly that is dead and alive at the same time, existing and nonexistent in all places at once but not; this complete entity is a mere pinpoint spec on a sentence on a never-ending line of the paragraph on a page of a story in which its pages exceed all ever transcending definitions of quantity and measures.
The attribute in which Theaphysics is connected to goes beyond "there is always a bigger cat around," and steps into the territory that is a step before the prelude of the unwritten unknowable unknowns, and supersedes it.
The 8 modes listed prior are unwritten unknowable unknowns even by ultimate unobservables, for they operate on a higher echelon. If we convert the Paratext into a situation of power and authority; even an Author is “within” the context of a “story” (mode 5) for the Author is being funneled to orchestrate a play, regardless of how many levels of THE ALL said Author has transcended or encompassed.
Theaphysics supersedes and creates the themes that underpin an existential ideology of that which is greater than a zenith that is impassable - that is unknown and unknowable; continuously transcending the former existential ideology, echoing so far that the existential ideology might as well not even exist. Theaphysics itself creates its own branching and starts to create a greater logic.
Etymology
The word "theaphysics" derives from the Greek words θέα (thea) ("The act of performing") and φυσικά (physiká) ("physics").
Theaphysics deals with that which is beyond Pataphyiscs. Pataphysics defines the ineffable, the unknown and the unknowable, transcending metaphysical laws and boundaries. It is the place where concepts and zeniths themselves are defined; where the ultimate level of reality, the origin of all definitions rest. Theaphysics steps beyond the transcendent hierarchical realm of the former, stepping in the realm that comes before the former and supersedes it at the same time.
In order to explain Theaphysics, its context of description will be manipulated in order to serve a relation at the minimum. One of the inescapable truths is that we are all stories. However, even Totality, Possibility and Nothingness are mere aspects of a story. The ultimate reality behind this is the paradigm in which defines this. In the most infinitesimal microcosm sense, you can see it every day, whenever you go to a library or surf the web of information:
0. Book Cover - title
1. Contents
2. Foreword
3. Prelude
4. Introductions
5. Story
6. Extra Chapter
7. Index
8. Back Cover - summary
Through these categories, you have something which is much more, as it is an unwritten unknowable unknown in plain sight. In another aspect, let's say you have an all-encompassing entity that is necessarily Meta-Omnipotent, Meta-Omnipresent, and Meta-Omniscient. This in effect is a mere fragment of the story - a zenith that is not even touching the surface that in which encompasses it. Just like a butterfly that is dead and alive at the same time, existing and nonexistent in all places at once but not; this complete entity is a mere pinpoint spec on a sentence on a never-ending line of the paragraph on a page of a story in which its pages exceed all ever transcending definitions of quantity and measures.
The attribute in which Theaphysics is connected to goes beyond "there is always a bigger cat around," and steps into the territory that is a step before the prelude of the unwritten unknowable unknowns, and supersedes it.
The 8 modes listed prior are unwritten unknowable unknowns even by ultimate unobservables, for they operate on a higher echelon. If we convert the Paratext into a situation of power and authority; even an Author is “within” the context of a “story” (mode 5) for the Author is being funneled to orchestrate a play, regardless of how many levels of THE ALL said Author has transcended or encompassed.
Theaphysics supersedes and creates the themes that underpin an existential ideology of that which is greater than a zenith that is impassable - that is unknown and unknowable; continuously transcending the former existential ideology, echoing so far that the existential ideology might as well not even exist. Theaphysics itself creates its own branching and starts to create a greater logic.
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