January 26, 2015: Behind the scenes on Dark Matter! Shhhh. Don’t tell anyone!

Director Paolo Barzman humoring me.

Director Paolo Barzman humoring me.


I spent much of the weekend going over the two week’s worth of dailies we’ve amassed to date. ��For those not in the know, “dailies” refers to the collected footage from the previous day’s shoot. ��It’s always a good idea to familiarize yourself with the available material – especially when it comes time to do your edit. If something isn’t working for you, it’s a simple matter of requesting that brilliant��alternate take or delivery that didn’t make the director’s cut. ��What’s leftover finds its way into those outtakes, blooper reels, and deleted footage extras the fans love so much while so much more is lost to time. ��Somewhere, in the crawlspace of my Vancouver home sit two boxes of videocassettes containing dailies from Stargate SG-1 seasons 4 through 7. ��Highlights include unaired scenes, serpent guards stumbling about in unwieldy oversized helmets, and Michael Shanks (Daniel Jackson) dancing a jig in that unas episode.


Akemi presents...our shuttle: the phantom class marauder. Much more impressive on the inside, trust me.

Akemi presents…our shuttle: the phantom class marauder. Much more impressive on the inside, trust me.


Wall to wall meetings today for episode #103: VFX/Playback (nebula!), stunts/SPFX (shirtless bo staff training alert! ��Don’t tell Alex!), props (light up elements), and a tone meeting with director Paolo Barzman during which we discussed the characters, the “big picture”, and went through the script scene by scene.


Akemi prepares to interrogate the prisoner.

Akemi prepares to interrogate the prisoner.


I spent most of my free time going over the schedule, assembling the scenes by set (the bridge [FTL, star field, blast doors, and emergency lighting], the infirmary, the mess, the airlock, the corridors and quarters), and playing mix and match with the allotted times to create nice, full – but not overly taxing days. ��I’d broken it all down nicely and was in the process of mixing and matching when I mistakenly pressed “do NOT save” – and lost everything. ��Sigh.


Director Paolo Barzman strongly urges me to reconsider that second act break.

Director Paolo Barzman strongly urges me to reconsider that second act break.


In honor of my pug, Jelly, Natalie Cooper presents this awesome “sock of the day”:


1


And our screen grab of the day:


Screen Shot 2015-01-26 at 1.39.21 PM


Heads up!


Tagged: Dark Matter, Dark Matter t.v.
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Published on January 26, 2015 17:24
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