Usually we find the work of Alejandro Gonzalez Iñarritu irritating, self-important and gimmicky. It thinks it’s really deep. We like his Oscar-nominated movie Birdman, which is a gimmick—the whole film is made to look like one long take, accompanied by a single drummer whom we occasionally glimpse in the theatre hallway—that works. It is deeper […]
Published on January 18, 2015 21:19