Asylum – 12th and final instalment

Asylum will be available in e-book format (Kindle and epub) in February 2015 for only $4.98.


Instalment 12: In which Yvette makes a new friend in Myer’s men’s department…


3.9


 


A week later and Yvette couldn���t motivate herself to move a muscle. She���d returned from her second and this time self-funded visit to her doctor an hour before and gone straight to her room and to her bed. At the surgery, after a humiliating few minutes explaining how she hadn���t managed to have an ultrasound, a further ten minutes enduring cold-hand prods and the icy pad of the stethoscope pressed hard here and there, the doctor-witch told her with considerable enthusiasm that she was having twins. Twins. Not one but two tiny foetuses sloshing about inside her. The doctor had been delighted, just about bouncing in her seat with vicarious jubilation as if those foetuses were her own progeny.


Yvette was as ebullient as a fish-hooked mullet. She pictured Thomas in his tiny unit surrounded by old books and half-worn clothes, at one with his violin in an altogether different world that spoke of serenity and ethereal heights. She pictured Josie, slapping paint on another canvas in wild abandon or behind the bar in Malta, laughing gaily as she served a throng of merry-making tourists. Thomas and Josie free to be who they were and do as they wished. She couldn���t help thinking she���d been served a double dollop of misfortune, her freedom curtailed by the burden of carrying twins and the uncertainty of her immigration status. So much for prophecy; she was suspended in the troposphere, with no idea where she���d fall.


Several hours passed before she managed to rouse herself.


 


Back at Heather���s she sat on her bed and flicked through a holistic-healing magazine that she���d taken from the pile in the living room. Heather was in her room, meditating. Yvette could hear the dulcet tones of Tony O���Connor through the wall. Angus was in the kitchen, at work as always, and with the evening meal cooked and eaten, Yvette was leaving him to it.


She closed the magazine and stroked her rounding belly. After her doctor���s deplorable revelation the bovine resignation she���d grown used to that rendered her impervious to her vicissitudes had disappeared, leaving her at the mercy of her misery that surrounded her like a dark haze.


She pictured Thomas in his tiny unit surrounded by old books and half-worn clothes, at one with his violin in an altogether different world. She pictured Josie, slapping paint on another canvas in wild abandon, or behind the bar in Malta, laughing gaily as she served parties of merry-making tourists. Thomas and Josie were free to be who they were and do as they wished. She couldn���t help thinking she���d been served a double dollop of misfortune, her freedom curtailed by her pregnancy and her immigration status. So much for prophecy: she was suspended in the troposphere with no idea where she���d fall.


A sudden burst of the setting sun reflected off a neighbour���s shed and shafted through the window. She lay down. Tony O���Connor stopped chiming through the wall. A remarkable quiet consumed the house in his absence. She let her mind drift. She was almost asleep when her phone broke into the hush.


���Hey, Yvette.��� It was Debbie. ���Mum told me. How are you?���


Something in Yvette reared defensively. ���Oh I���m fine.���


���Sorry I haven���t phoned before. But you know how it is, husbands, kids and all that.���


���That���s okay.���


���Well. Hey. Congratulations.���


���Thanks.���


Yvette could have tried to sound more affectionate, opened up to her sister a little. But she didn���t open up.


Her sister went on. ���You���ll need a lot of support. Especially being so inexperienced.���


She expected Yvette to respond to that? The woman was infuriating. Then Debbie launched into a vivid description of both of her natural births, ending her vignettes with, ���well I guess it helps to have a loving husband by your side.���


���It does,��� Yvette said, thinking Debbie���s insensitivity was, once again, incredible.


���If there���s anything I can do.���


���I���ll let you know.���


���The least I can do is offer advice.���


There was no stopping her. Advice spilled from her mouth like a galloping horse.


���Will you breastfeed?���


���Of course.���


���Good. Then get in touch with the Nursing Mother���s Association. They really helped me with my first.���


���I will. Thanks.���


���I better go,��� she said, adding with a nervous laugh, ���Alan doesn���t like large phone bills.���


 


3.10


 


The following Saturday, after an idle morning spent separating clothes that no longer fit from those that for now she could still wear, Yvette grabbed her shoulder bag, marched down the hall and closed the front door firmly behind her, bidding Angus, spread-eagled under the chassis of his bus, a casual see-you-later as she picked her way over the bus-junk scatterings on the path.


The walk into Fremantle was pleasant, a cool breeze dampening the sharp heat of the sun. Once again she admired Scot���s Church and she felt exalted, almost religious just for a moment.


She pushed open the side door and entered the stale warmth of the hall. Fiona greeted her as she passed. A gathering of choir members were chatting over by the urn.


Yvette glanced around and saw Heather talking with Sue, whose sturdy frame looked formidable in a clingy T-shirt tucked into tight jeans. Heather caught Yvette���s eye and waved. She returned the greeting. As Heather���s gaze slid away, Yvette admired her friend, that earth mother look of hers, the long russet dress, shoulders draped in a patterned silk scarf. She exuded self-assurance and easy charm. A magnificently self-contained woman not given to sudden rushes of emotion, yet not inhibited like Leah and without the rigid attitude. Heather���s bountiful goodwill and tireless conviviality were, she decided, little short of saintly.


Heather walked over, nodding hellos to the others as she passed. When they hugged, Yvette wanted to nestle her whole being in her friend���s embrace.


Heather pulled back and looked at Yvette closely. ���You don���t seem that happy.���


How did she do that, see beneath the surface so astutely? Yvette gave her a weak smile and said, ���I���ll be fine.���


Heather gave her hand a quick squeeze.


Fiona called the choir to attention and, for the benefit of new members, launched into the same preamble about finding your voice as she had that first time Yvette had come. Sue passed round the hat.


���I have some disappointing news and some exciting news.��� Fiona looked around. ���Which first?���


���Get the bad news out of the way,��� a woman called out from the back. Yvette glanced at her, taking in the long and sun-bleached hair, the suntanned face, the full lips and warm brown eyes.


���Okay Fran. Our application to perform at the next Fremantle Festival has been unsuccessful.���


There were murmurs of disappointment.


���Don���t be disheartened. The organisers have been flooded with applications.���


���I bet Kavisha Mazzella���s choir got a spot,��� a woman in a green beret said churlishly.


���Yes, they did,��� Fiona said, turning to the woman. ���And that���s to be expected. They���ve been doing this a lot longer than we have.��� Fiona looked concerned. It seemed she wouldn���t allow disharmony to take hold in the choir. ���We���re sure to be accepted the following year,��� she said. ���And that leaves us plenty of time to rehearse.


���And the good news?���


���We���ve been invited to perform at the Fairbridge Music Festival.���


There were some cheers and hoorays.


���Where���s Fairbridge?��� Yvette whispered to Heather.


���South,��� Heather said, quickly. ���In the country.���


With a commanding, ���Now let���s make a start,��� Fiona took up her place at the foot of the stage.


The choir formed three groups in a wide arc. Yvette joined the altos, standing beside Heather at the back. Sue, Fran, and the woman in the green beret stood in front of them. The choir began with the lullaby, Inannay. Yvette remembered the song but felt tentative. The choir sounded polished, the harmonies perfected, riding the emotion of the song, blending and rising and falling like an ocean swell.


She tuned in to Heather���s voice, clear and distinct, and projected her own, keen for her voice to merge with her friend���s and hers alone, as if in the resonance of their two voices their souls would merge, and all Yvette���s childhood memories, too often brought to the forefront of her mind since she came to Perth, would melt away.


Then in a burst of illumination she pictured Heather���s childhood. And her heart went out to her friend. Snared in her own past she had too readily overlooked Heather���s, the brutality of her mother���s sudden departure, the loss and the hardship she must have born. Yvette felt an opening. It might have been the first time she���d experienced empathy. And she recognised in Heather���s keenness for her friendship, and her respectful reserve, the stamp of those early years.


 


3.11


 


Outside, the sky had clouded over and there were spatters of rain. The moment choir practice had finished, Heather had rushed off to see a client. Left alone on the pavement, Yvette���s life seemed suddenly empty. The rain began to fall heavily, so she headed to Myer���s department store for shelter.


Browsing aimlessly, she wandered downstairs and found herself in the men���s department. There, as she stood by a row of smart shirts, she had to fight off a craving for a meat pie. It was her latest impulse, one she found revolting and certainly emanating from the beings inside her, leaving her wondering what sort of uncouth blaggards she was spawning. Then, as the craving faded, she felt an all-consuming urge to sit down. Breathless, she walked on a few paces and clutched the edge of a table display of novelty underwear.


A middle-aged man in a suit was fastidiously arranging cellophane-wrapped ties on a rack nearby. He glanced in her direction and seeing her distressed, rushed over. ���Are you all right Madam?��� he asked politely.


���I just need to sit down.���


He darted behind the counter, wheeled out a swivel chair and beckoned her to sit. ���I���ll fetch you a glass of water.��� He headed off, returning moments later with a glass of ice-cold water, a napkin and a shortbread finger biscuit on a small plate.


Yvette sipped the water. ���You are so kind,��� she said, and noticing his name badge, added, ���Gordon.���


His face lit with interest as if in calling him by his name she���d broken the spell of formality. ���You are most welcome,��� he said graciously. He had a florid sort of face, with a generous mouth and kind brown eyes. She was drawn by the theatricality of his manner, the ironic intonation he applied to even the most ordinary of sentences. She took in the silvery-grey of his hair, the creases about the eyes. He must have been about sixty.


���What might madam be looking for? Perhaps I can help.���


���Please, call me Yvette.���


���Yvette. An unusual name.���


���My mother wanted to call me Jane. But Grandma Grimm, that���s my father���s mother, said, ���Oh not plain Jane!������


���Yvette Grimm.��� He paused and said reflectively, ���names can be such a curse.��� Then he covered his mouth with his hand. ���Oh, I���m sorry. I didn���t mean������


���It���s fine.���


���You see, I was almost Gerard Card.���


They both laughed.


���Thankfully my father insisted on Gordon.���


He glanced at his watch. ���Is that the time? I must leave at four on the dot. I have an appointment.��� A look of concern flashed in his face. ���Will you be alright?���


���Yes.���


���I don���t like to rush you. Are you sure you���re fully recovered?���


���Yes, I���m fine. An appointment is an appointment. You mustn���t be late.���


���It���s a rehearsal.���


���You���re a performer?���


���No. I���m directing a play I wrote.���


���My friend is an actor.��� As she spoke she realised she hadn���t seen Thomas since her eve of New Year���s Eve party and felt a pang of remorse. She really had to stop turning off her phone and ignoring her messages.


���Is she?��� Gordon said with interest. ���Stage, film or television?���


���He, and strictly amateur.���


���Perhaps he���d like to audition for a part.���


She felt a twinge of uncertainty. ���I���m sure he���d be delighted,��� she said, ���And your play is called���?���


������Trouble and Strife.��� It���s a Restoration comedy.���


���Sounds fascinating.���


���Why don���t you play a part too?��� He looked straight at her.


She gave him a coy smile. ���I can���t act.���


���Of course you can. And I have the perfect role for you.��� He placed a hand over his heart and said with false tragedy, ���Penelope Pinchgut.���


They both laughed again.


���I���ll think about it.���


���Oh, do. Do.���


He reached into his breast pocket and handed her a business card.


She stood and thanked him for the water and the biscuit, then she wandered through the other departments with no intention of buying anything and on outside. The rain had stopped and whorls of steam rose from the pavement, the whole milieu glistening in the sunshine.


 


3.12


 


She strolled home past the Fremantle Oval and on to Fothergill Street where the narrow pavement follows the curve of the imposing wall of the Fremantle Prison. Beyond the wall was a vast four-storey limestone building. She recalled the brochure she���d read in her doctor���s waiting room saying that the convict barracks were built by the convicts themselves in the 1850s using limestone quarried on site. Backbreaking work carried out by those unfortunate souls, wrenched from their families for the most trivial of misdemeanours.


The brochure had gone on to explain that the prison had been the primary place of incarceration in Perth ever since, notorious for hangings, floggings, escapes and riots, but now that the inmates were moved to a new maximum security prison in Casuarina, the site had gained World Heritage status, and conservation groups and government bodies had turned the prison into a tourist destination. Hence the glossy tri-fold. It must have been a matter of considerable state pride. She���d wondered at the surgery what it was about people that they should want to visit places where horrific things had happened, tourists in shorts and straight socks snapping photographs; coach loads marvelling over cell sizes. It was a grotesque happenstance: Cultural curiosity of that sort should at best be solemn and reverent, at worst a horror invoking experience. Now, as she passed by the prison, she thought it ironic yet inevitable that incarceration should dominate Australian heritage. Better to preserve the memory, she thought, than raze the buildings for another stadium-size shopping mall.


She crossed the road and went down an embankment towards the back entrance of the Fremantle hospital, taking a short cut through to the streets of South Fremantle.


Angus was sitting on the front porch when she cornered the street. As she approached he stubbed out a cigarette. She felt a stab of contempt for him and her mind swayed, another part of her self-remonstrative. She was too judgemental, too quick to condemn. And she recognised in an instant her mother���s view of her father.


She rounded the hedge, noting the absence of tools and bus detritus, and before she entered the garden she steadied her thoughts.


���How was your day sweetheart?��� he said following her inside.


She wished he wouldn���t call her sweetheart. She knew the word had no substance, a word conjuring romance and intimacy, neither existing between them.


She sat at the kitchen table. Angus leaned against the bench, hands spread wide, and stared out the window.


���I wonder what Leichhardt would have made of this place.���


���Relieved after all that desert.���


���Yes, but the desert fascinated him. The quest, the adventure, the discovery.���


He really could talk of nothing else. Curious, she asked him how the script was progressing.


���Extremely well. Almost finished in fact.��� He paused. ���There���s only one problem.���


���What���s that?���


���I need to get the setting exactly right.���


He turned to her abruptly, his eyes deep pools of hopeful delusion beneath his bushy mono-brow. ���The desert is calling me. Leichhardt is calling me.��� He turned back to the window. ���And I���m gonna heed that call.���


She wanted to cry out in exasperation and urge him to go all at once. The magnificent unreality of the script had taken on another almost insane reality.


���And your bus?��� she asked lightly, feigning a casual engagement.


���All packed up and ready to go.���


The front door creaked open and Heather entered the room. ���Angus?���


���I���m off.���


���Don���t you want dinner first?���


���I���ll get something on the road.���


They held each other in a warm embrace. Yvette looked on. Why couldn���t she and Debbie be like that? She suddenly found herself cold-hearted cast in Heather���s light.


���Safe travelling,��� Heather said, uncharacteristically pensive.


���Don���t worry about me.���


Yvette looked away with a twinge of remorse. Now he was leaving she almost regretted not making more of an effort to get to know him.


Yet when she watched him head down the hall the farewell smile she wore belied the churning of the most powerful will that ever was, the will of a mother protecting her young, wily, cautious, ready to kill. It came as no surprise that before he closed the door behind him that out trailed her memories of her father.


 


3.13


 


That evening, when the sun had set and a soft breeze blew in through an open window, Yvette sat on the empty sofa, relishing the comfort of the house free of Angus. For a few minutes she fell into a doze listening to Heather���s meditation music spilling from her room across the hall. Then she stood up spontaneously and before she changed her mind she phoned Thomas, seizing the chance to reconnect, wanting above all to gather her friends around her and extract some fun from life. After a brief exchange about her new life in Fremantle, choir and how wonderful Heather was, she told him about her encounter with Gordon and the play.


���I mentioned you and he thought you might like to be in it. He even has a role for me.���


���For you?���


���He wants me to be Penelope Pinchgut.���


���Penelope Pinchgut?��� he scoffed. ���He���s taken that name from Wycherley���s play, The Country Wife.���


She had no idea Thomas knew a thing about Restoration comedy but she wasn���t surprised.


���Are you interested?���


���Sure.���


She suggested he come over the following night and then she phoned Gordon.


 


It was eight in the evening when she answered Gordon���s rapid and light knock. He kissed her cheek as she ushered him through to the kitchen. The house, for the first time, was hers: Heather was visiting her father in Rockingham. Thomas was seated in the kitchen with Anthony, who was up from Kalgoorlie for the weekend and had tagged along. Out of curiosity, he���d said. At the sight of him seated cross-legged on a wooden chair, a flash of alarm appeared in Gordon���s face before he quickly replaced it with a smile.


Anthony was staring at Gordon, an airy smile lighting his face. ���I���m delighted to make your acquaintance again,��� he said without proffering his hand.


���Likewise.��� Gordon, averted his gaze.


Yvette was bewildered. That Gordon and Anthony had met before was a shock, as if her existence in Perth had just tightened its belt. She glanced at Thomas who maintained an impervious smile.


���Tea?��� she said, pouring water in the kettle.


���No, thank you,��� said Thomas. Anthony shook his head.


���Thank you I will,��� Gordon said. ���No sugar and just a dash of milk.���


Yvette gestured and he took up the chair at the head of the table, immediately pulling from a manila folder, copies of his script. ���Shall we get straight to it? I don���t have an awful lot of time.��� He passed Thomas a script. Anthony, seated at the foot of the table, leaned forward and held out his hand. Gordon hesitated then slid a copy across the table in Anthony���s direction before setting another on the table in front of a vacant chair.


Thomas leafed through the pages. Gordon was observing his face. Yvette turned to fill the kettle, catching a glimpse of a cockroach scuttling across the kitchen floor and disappearing under the fridge.


When she turned back, Anthony was riffling through his copy of the script with raised eyebrows, his mouth set in an expression of disdain. Yvette could hardly bear to look at him. Neither could Gordon, who was perched on the side of his seat, purposefully facing in the other direction.


The kettle boiled. She made Gordon his tea in one of Heather���s best cups and handed it to him and took up the vacant chair.


���Thank you,��� he mouthed.


There was a long stretch of silence. They were all watching Thomas who sat over his script as if in pose with his elbow on the table, his head resting in a hand.


���Interesting,��� Thomas said at last, pushing the script to one side.


���I thought you might like to take the part of Thidney Thornthwaite.��� Gordon sounded tentative.


���He���s a somewhat rakish bachelor,��� he went on. ���A merchant from London.���


���Who speaks with a lisp,��� Thomas said.


���Yes.���


���Fascinating.��� Yvette detected a note of derision in Anthony���s voice.


���You can manage a lisp?���


���Of courth he can lithp,��� Anthony said.


Gordon ignored his remark and addressed Thomas directly. ���Well, I���m sure he���d suit you better than his cousin Mr Spitzer. He���s a university student from Bath. A forthright young man who pronounces his esses with a rasping spit like Daffy Duck.���


���Really?��� Thomas frowned.


Anthony emitted a disingenuous yawn. What, for heaven���s sake, was he playing at? She felt fiercely protective of Gordon, although she wasn���t sure Gordon had seen the yawn: At least, there was no reaction in his demeanour. He sipped his tea then caught Yvette���s gaze. ���Perfect,��� he said with a smile that faded as it appeared. Then he turned to Thomas. ���Thornthwaite wants Spitzer to marry the gullible Penelope Pinchgut.���


���That���s me,��� Yvette said, with a faltering laugh.


���And there���s Mrs Fanny Bunn, a matronly widow and Penelope���s chaperone. She disapproves of the marriage proposal and is suspicious of Thornthwaite���s motives.���


���Sounds like a good farce,��� Yvette said, encouragingly.


���Oh you���ll love it Yvette. It���s filled with innuendo, double entendres and a great deal of posturing.���


���I���m sure it is,��� said Thomas with a measure of warmth, shooting Anthony a sidelong glance.


���There���ll be lots of mincing walks and sparring,��� Gordon went on, glancing at her again with a wink.


She smiled then turned to Anthony in time to see a look of malice flashing into his face. ���Thornthwaite doesn���t need a lisp,��� he said dismissively.


���Oh but he does.��� Gordon shifted in his seat.


���You already have rasping Spitzer. Why have two male characters with a speech impediment?���


���It���s a comedy.���


���Seems a little overdone if you don���t mind me saying.���


���Well!��� Gordon was visibly rattled.


Anthony shrugged and tossed his copy of the play in Gordon���s direction. Yvette was flabbergasted. The man had no grace at all.


Flushed, Gordon gathered up the scripts. ���Incredible!��� he muttered and made to leave the room.


���Let me show you out,��� Yvette said spontaneously, eager to steer Gordon away from the upset Anthony had caused, at once anxious to distance herself from her friends��� behaviour and reinforce her affection for the man. For an inexplicable reason she found him compelling. Once in the hall, she closed the kitchen door and led him into the living room.


���I���m sorry Gordon. Anthony can be tactless sometimes. He didn���t mean to������


���Yvette, I didn���t realise you had artistic leanings.���


���Oh that,��� she said, following his gaze to her sketch pad open at a rough drawing of the room. ���It���s nothing.���


���You���re an artist?���


���I suppose I am.���


���What medium?���


���Oils. Although I���m not sure the fumes would be good for the babies.���


���Babies? You���re having twins? How marvellous.���


���Thank you.���


���Are you working on anything special?���


She sighed. ���I���m having a hiatus.���


���What���s the problem?���


���I have ideas that require a shift of my skill set.���


���Ah.��� He nodded slowly. ���I know what you mean.��� He shuffled his folder under his arm, took a quick breath and said, ���Would you like to come to my studio?���


She hesitated.


���I���m no expert but maybe we can share some ideas.���


She shoved away her pride. How would she know if he had anything to offer if she didn���t accept his invitation? Besides, it provided another opportunity to spend time in his company. ���I���d love that,��� she said, keenly.


���Would you? Shall we say Tuesday week at two? That���s my afternoon off.���


He made to leave and as they stood in the hall she handed him the pen and notepad Heather kept on the telephone table, and he wrote down his address.


She held open the front door and he reached for her hand. ���I���m so pleased you are coming. I feel connected to you. I don���t know why.���


She looked into his face. His eyes were moist, his mouth loose.


���I sense that too,��� she said, feeling another overwhelming rush of compassion. As he turned and walked away she wanted to gather him up for safekeeping. So strange were these feelings, she could only attribute them to the pregnancy.


She closed the door and went back to the living room for a few moments to collect her thoughts. Then she closed her sketchbook, switched off the light and joined the others in the kitchen.


���Has he gone?��� Thomas said.


���He���s gone.���


���Good,��� Anthony said. ���The man���s an amateur. He should stick to selling suits.���


���That���s unkind.��� And unwarranted. She couldn���t understand why Anthony was so bent on dismissing Gordon���s play. No, more than that, on dismissing the man altogether.


���He���s being honest,��� Thomas said. ���Scriptwriting is much harder than people think.���


Yvette said nothing. She despised Anthony then. And she was dismayed with Thomas for siding with what amounted to a shop window of a personality, dressed all dandy and fine, shocked now she was seeing right through to the back of him, where the vermin, scarcely hidden, were on the march. She said little of consequence after that. There was no way she���d tell either of them she was delivering junk mail. The ridicule would have been insufferable.


Before long Thomas announced their departure and she saw them to the door.


Anthony wandered to the car. Thomas lingered, heading slowly across the garden before turning back and asking if she���d seen Varg. She told him she hadn���t.


���Have you figured out who the father is?��� he said in a low voice.


���No.���


���What are you going to do?���


���Have the babies.���


���Babies?���


���Didn���t I tell you? I���m having twins.���


He gasped. ���You���re going through with it then?���


���What choice do I have?���


���I never thought of you as a mother.��� He looked her up and down. ���I mean, you always seemed too independent.���


���People change Thomas.���


���Maybe.���


���It isn���t a betrayal,��� she said, in an attempt to strike at the cause of his attitude.


���What?���


���My being pregnant.���


���I never see you. You never call.���


���I know. I���m sorry,��� she said. ���I���m having a hard time.���


���Aren���t we all?���


Well end it then, she wanted to say but couldn���t give it voice.


He kissed her cheek and told her he���d call her soon.


Asylum will be available in e-book format (Kindle and epub) in early February for only AU$4.98.


Filed under: Uncategorized Tagged: acting, asylum, asylum seekers, black comedy, boat people, choirs, Fairbridge Children's Home, free novel, illegals, painting, play, profits of doom
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Published on January 16, 2015 12:48
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