Fondation Louis Vuitton, Paris
The alchemist of the art world effortlessly transports us into the sublime with a warren-like world of awe-inspiring optical illusions
Romantic art is not dead. It glows on, a blazing horizon, in the work of Olafur Eliasson.
Eleven years ago, Eliasson set the Turbine Hall at London’s Tate Modern alight with a gigantic illusory sun that was the most seductive and entrancing project ever staged there. It became a psychedelic happening, where people lay on the floor, stoned on light, as if we had wandered inside a Turner painting and were dancing like his peasant revellers on the banks of some golden ocean.
Continue reading...
Published on December 17, 2014 05:43