Indie Tuesday—Tips to Survive the Rapid Release Model for Indie Publishing

Am I crazy?

See, I’m releasing six books in seven weeks.
It started with my debut, Finding Mr. Write , November 10 and continued yesterday with the release of Good Enough for a Princess . Each are book one in their respective three-book series. The third release is next Monday with Finally Mr. Write . After that, the release dates are a bit up in the air, but all six books are expected to be out by Christmas.
The urge to go indie has been building for a year, but I’ve been writing longer than that and have over a dozen manuscripts. It’s a (relatively) simple thing for me to take six books in two series and polish them up for release.

“Everyone knows” Amazon’s algorithms like you better once you’ve got four or five books out. Don’t ask me to explain Amazon’s algorithms, I doubt Sheldon Cooper could, but that’s the way it seems to work.
The idea seemed to fit with everything I’d heard “around” from other indies and really seemed to take root. I decided against Liliana’s method but diddecide to release two full series in rapid succession.
And therein lay the crazy.
I’ve spent much of the last month absolutely glued to my computer trying to get everything done and I thought I would share a bit of what I’ve learned should you ever decide to do the same thing.
Have at least a good draft of all of them done. For me, the first three were done or nearly so, but the second three need a bit more work. My goal had been to have those three closer to finished before releasing the first, but life intervened after I’d set my first two release dates using Amazon’s preorder feature. This will also give you more time to market, something I’ve sorely lacked.Don’t do it without a great support system in place. My husband is on board with this. Yes, he gets frustrated especially when I’m working away from home, but he believes in me and that I. Can. Do. This. My sister has also been a huge support. She’s watched my kids, moved a recliner into her office/library for me to use, and let me work there as my office-away-from-home.Have a good network. I suppose this isn’t strictly necessary, but I am so incredibly grateful to the friends and family who are supporting me in this indie thing. I have a large network of writing friends. Many-times-multi-published authors and total newbies. Traditionally published, indie published, and every sort of hybrid in-between. Having them cheer me on makes such a difference. Shoulders to cry on are a must.Have a good resource network. Find a group of indie authors who can be your “go-to” people. Whether it’s why the .pdf just. Won’t. Format. Right. Or what do sales generally do after the first of the year [up? Down? Stable?]. Or trying to figure out where that preorder information is. (Thanks, Jess, for helping me with that one!) Cover advice. Advice on dealing with vendors when there’s trouble. Recommending vendors who are fabulous to work with. And so on. It can be a small, informal group of indie friends or a large, formal Facebook or email group, but don’t try to do it yourself.
I don’t really know what to compare it to, but it seems to be doing okay. I’m not breaking any records, but I’m also not doing too shabby either! So, is this strategy going to pan out? Am I just nuts? Only time will tell!
What do you think? Would you consider doing a variation of the Liliana Nirvana technique? Why or why not?
TWEETABLESTips for #IndiePub rapid release - from @CarolMoncado via @authorkeller (Click to Tweet)
Author @CarolMoncado shares how she survives the #IndiePub rapid release model - via @authorkeller (Click to Tweet)

Published on November 18, 2014 01:00
No comments have been added yet.