Having spent nearly 10 years working in the film production industry, I’ve logged my fair share of downtime, sitting on apple boxes and tapping my fingers into their unique wood patterns searching for a timbre only drummers can fully understand. One day I decided to take a pair of sticks to a weathered apple box that looked like it had endured more hours on film sets than Michael Caine. It was love at first double-stroke roll. No matter where I struck the box, I discovered another tone. I began
Published on November 11, 2014 12:35