Wake-up call

I started that full-time writing thing with a dose of optimism. Return on Investment did much better than expected (about 500 sold copies since July and more than that lent via Kindle Unlimited), although it's now much slower and sells about one copy a day on average. Sales and lowering the price did nothing to boost sales, but considering how weird and uncommercial that book is, I'm still happy with how it's done. I'll call it a modest success.

I didn't walk out of that job without a "business plan". I did projections based on about 12 months of sales data, built a model based on average yield per book (aka, how much do I make per month per book). For yield, I went with the sales of "backlist" titles - not the ones that are just out and might sell a thousand copies or so in their first month, but the few dribs-and-drabs sales I get on titles that are "older" (= older than six months).

Based on that, I averaged out yield and then assumed that future books would sell about the same. I was hoping that the front list sales spike and maybe even growing readership would mean I was low-balling, but I didn't count on either of those. Basically, I was running what I thought was a worst-worst case scenario.

So when I got my royalty payment for last month, I thought there was a mistake, but I went through the statement and ran the numbers, and it's pretty alarming. Almost half (40%) my royalties are from one front list title that's rapidly fading. It had a very good three months, but the money from that title is falling at a rate of 50% a month. And worse: My strongest, long-term sellers sold a good 50% less than they had for the last 1.5 years.

Overall, my backlist (the books I rely on to pay my bills), are over 40% down, and once that strong front list title hits sales hell in a couple months, and assuming my back list doesn't recover by some miracle, I won't be able to pay my bills/fixed costs in about 2-3 months. If the sales trend continues, I'm going from "below minimum wage" to officially "poverty line" in the same timeframe. It's the kind of crash that makes me look at my monthly outgoings and ponder which one I can/should cut. Do I really need regular haircuts? (And yeah, it's made worse by living near one of the most expensive cities on the planet - not really a choice as long as my partner works there.)

(I don't mean to be whining. I have the best readers, and I'm grateful for every book they bought in September - or earlier, in the case of the retailers. I'm speaking quite candidly because it might be helpful for other writers. If any of you have seen the same sales drop, you're definitely not alone.)

I'm not sure what a viable strategy is for the future. I clearly over-relied on my backlist and my worst-worst case scenario was about 50% too optimistic. Which means I quit my day job about 3-4 years too soon. I knew I'd be scraping by for a few years and hoped I'd write my way out of there, but this month really claw-hammered that confidence.

I'm not good at writing the kind of book that sells inside this genre. And I don't see that changing.

And just the explicit/gay/bisexual content means a somewhat limited audience - that material doesn't get into the mainstream. I'm currently pretty much aiming at a sub-group of a sub-group of a sub-group, and apparently that niche audience is too small to sustain me.

One part of me is completely freaked out. (And freaked-out writer = too freaked-out to write, so this isn't even a productive frame of mind, much as I'd prefer to call it a "kick in the pants".) I prefer to have a rough idea where things are going, how much money I can expect, because I want to intervene on time and steer against it.

This might have been a freak month, and gods give that it is, but I have to act pretty much now to be prepared if this is the shape of things to come. (Smoke, fire, the works.) Anything I write now and publish via a small press will still take 9 months at least to earn me money (At least 6 months of production time for a publisher, plus 3 months until Amazon pays out), and it's closer to 12.

Self-publishing is closer to 6 months - three months of production time (editing, layout, cover, etc), plus 3 months until Amazon pays out. I can't do much until mid-December (as I won't be here, and I'm still working on the Birds book), but from mid-December, I really need to act.

Going the traditional route (getting an agent, getting a big publisher) is now literally something I can't afford. I can't wait 4 years or more to get paid. I'm entering crisis/survival mode now.

What it'll mean above all is: 1) I will self-publish some things fairly quickly. 2) I need to write faster, and even a LOT faster. 3) I have to diversify in terms of genre. 4) I will very likely re-join the workforce in early 2015.

Number 3) means I'll likely launch a second pen name and write speculative fiction (sci-fi, fantasy,  historical) under a different name. For that, I'll likely revive my old German pseudonym, but it's not yet decided. I think a new name would be good to leave some expectations at the door (read, no more disclaimers that the current book "isn't a romance" - there won't be romance expectations attached to it. This might prove to be tremendously liberating.)

It'll also mean I'll be writing from a different angle. My characters might still be gay or bisexual, but there won't be any explicit content on the page (this will likely affect my urban fantasy series I've been planning as well as my historical thriller). There might still be a romance sub-plot, but it won't be the main focus of the story. I'm also very likely going to write a few books with a female lead. Which will be brilliant, I think. I have at least two books that focus on women, and only one of them is bisexual.

Above all, it means re-shuffling my release/writing schedule. I knew that writing fantasy and historicals was a financially risky idea, but now I have the actual numbers to see just how fucking stupid it is to write either and more than maybe one a year.

I will still indulge myself and finish the Bird Book, because I've already almost lost this book twice, and if I stop now and desert it again, I fear it'll just wither and die off - gods know when I get into the position again where I can devote several months to it. Yes, it's a luxury I can't afford, but screw it, I'm 70-75% done with it now.

I'm putting the other five WWII novels and any further gay fantasy novels on hold for the time being. I literally can't afford to write them, and I'm sorry for that, but the bank wants the mortgage money every month, and I like eating.

In mid-December, I'll start on my straight-up historical with a main character who's most definitely bisexual, but will only be courting women. My partner has been requesting that book for the last 3 years, and it's time I write a book I can sell to mainstream readers without having to "warn" about the gay sex. It'll mean a screeching halt on my WWII stuff and pushing hard into the crusades research, which is not what I was aiming to do, but hopefully more sustainable. It'll also mean that what WWII research I've done will go into a book told from a hetero/female POV.

Overall, and as weird as it might sound, I'm still optimistic. What I consider crisis mode now might lead to some amazing books/experiences/growth. And I'm all for that.

So, yeah. This is my Halloween/Samhain post. The irony doesn't escape me. This is as "horror" as I can muster, and it all comes back to one of my main fears: fear of change, fear or loss of control. I'll get over it. This is most likely a good thing when seen from a couple years' distance.
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Published on October 31, 2014 09:54
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message 1: by Kaje (new)

Kaje Harper Wow, that's painful. I hope it is just a bad month. My backlist sales were down some the last couple of months, but not that much. Good luck!


♣ Irish Smurfétté ♣ It's definitely scary when stuff doesn't go as planned.

Is there any correlation between a new release temporarily "eating" into backlist sales? Or are they sort of consistent, the backlist sales. Curious.

What I don't at all have a question on is whether you'll make it, doing what you want. I know you will. That's a trend I can predict.


message 3: by [deleted user] (new)

Scary indeed - can you work part-time and therefor have time to write as well?


message 4: by *Bohemian* (new)

*Bohemian* My respect to you. I hope your sales start to pick up soon. I think this is a good post for any aspiring author, a real wake up call. I still believe You can make it. I will certainly do my best to support you. I will go back on the books I've read from you and make sure they all are rated and reviewed both on amazon and gr. I promise to do the same to all my favorite authors since I want to support them staying in business and continuing writing the amazing stuff they do. It is a little effortt from me as a reader and yet I have let that slip in the past months.

Good luck and happy writing, hope you can overcome the stress of it all!


message 5: by Aleksandr (new)

Aleksandr Voinov Kaje - Yep, very painful. Mostly scary. So far, I'm only getting reports of reduced sales, and some quite drastic, so it seems to be everywhere. (Or nearly everywhere.) I'll really have to focus on production this year and next year and possibly for the rest of my life. I'm also tweaking my business plan - as I said, I'll be writing more hetero books and see how they go. (But no het romance.)

Irish - Normally, a new release doesn't have that much of an impact on the backlist. If anything, new releases tend to lift backlist sales. (For example, new Market Garden book tends to sell the older ones.)

And "making it" - I have a dream of matching my old salary from writing (I do need a pension and I have a house to pay off), but that plan has just completely evaporated. It's survival mode now - I need to turn this around somehow in the next 3-5 months or I'm financially toast.

Finn - There aren't any jobs in my field, and precious little other things I'm qualified for. I've kept an eye on the market and there were about 3 in 18 months (I interviewed for two of those). If there were, I wouldn't have signed up for that journalism nonsense, which I didn't want in the first place.

Manda - Thank you. Every little bit of support helps. Regarding new authors - the scary part is that many people become writers despite the financial side of it, and you can't stop them. It's a very strange existence, if you think about it. In the real economy at least, you get paid for your work, and in some countries, you get paid at least minimum wage. As a writer, you fling yourself entirely on the goodwill of strangers and you might never get paid. It's very scary.


♣ Irish Smurfétté ♣ Thank you for answering, that def makes sense. I've done that very thing in buying others once I've read one. ;)

I hope it helps you, too, to both share this knowledge and talk through what's happening and plans about how to change things.


message 7: by Aleksandr (new)

Aleksandr Voinov Absolutely does help. At the very least, some writers in a similar situation might not feel quite so isolated...


Sonia ~Ruber's fiancé in Crystal Court universe~ I'm really sad to hear this! I'm a recent addition to your fan base but I'm not looking back!
I also think writing more hetero books it a very good idea. Sadly, I've noticed that the m/m genre is not as read as the others. Which is so unfair since I've read books in this genre that are 100 times better that a best selling novel from an other one.
I hope your new plan will work and I look forward to reading books that will be the result of it!
Good luck!


message 9: by Bucletina (last edited Nov 05, 2014 05:45AM) (new)

Bucletina My everlasting support to you and your writing. Whatever you choose or decide to do, i will back you up. And as Manda said, all my respect.


message 10: by Connie (new)

Connie Cat Best wishes to you, Aleksandr. You are definitely one of my favorite writers and I hope to see you continue profitably.


message 11: by Kaje (new)

Kaje Harper I saw a post from Mercy Celeste where she claims it's a Kindle Unlimited effect. Not sure I'm ready to dance with the devil, but it's interesting: http://mercyceleste.blogspot.com/2014...


message 12: by Fenriz (new)

Fenriz Angelo Sad to read this, you're one of my favorite authors and thanks to your 'weird books' i discovered a fabulous genre and things I didn't know existed in literature that made me have more hope on this industry and consider in the very future somehow write something...
I hope you can write all the books you're planning to (i will keep waiting for the WWII novels), once you have your pseudonym tell us! I will always support your work. :)
All the good vibres to you.


message 13: by Anna (Bananas) (last edited Nov 07, 2014 07:36AM) (new)

Anna (Bananas) This post strikes me as a very realistic way to look at writing, balancing what you want to write with what you "should" write in order to be financially successful. We rarely see the financial troubles that authors struggle with in order to do what they love. Your honesty is eye-opening.

Also, while I hate to see you put the brakes on some of your gay romance books, I'm excited (!!) to read anything you write with female or bisexual characters. And for what it's worth you do have very loyal fans who will always be interested in what you write, myself included. If you're able to broaden that fan base with more mainstream books then all the better.


message 14: by Kaje (last edited Nov 07, 2014 07:57AM) (new)

Kaje Harper It does seem like the drop due to Kindle Unlimited is not only in M/M books. I saw a straight romance writer quoted as saying her royalties went from $3000 per month to a few hundred when KU started up. Romance may be the hardest hit, because romance readers often read a larger volume of stories and may be the heaviest users of KU, but before putting a lot of work into a new genre, it would be good to get a feel for whether it is also experiencing a current downturn. IF so, then hanging on in the one where you have a strong name to see if people go back to buying after the novelty wears off and they find the selection limited (as happened with Netflicks to some degree) may be more viable than a change of genres.

But it is also possible that there are genres much less affected, or where even if they are affected the fan base is still so much bigger as to make the effort worthwhile.


message 15: by Verditwist (new)

Verditwist This is seriously bad news. I have no doubt that whatever genre you choose to write in your quality of work will always be high. But having to not write your fave genre, or to have to change the sexuality/sex of characters is, well, sad. The m/m genre will also be deprived of a v. good author. On the bright side if many more people discover you, and you stay in the business, then that's good, right? And yes, a garret in town doesn't come for free. R, E


message 16: by Verditwist (new)

Verditwist Oh bTW, just my opinion, but I would have though that round about now was a good time to publish world war I and II stories. There is not only the commemoration of WW1, but exhibition in town (British Museum) on Germany and just about every other person you meet is researching their family tree. E


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