Hillbilly Philosopher Marfa Submission, uh, Description
The Hillbilly Philosopher is an animated short about a young
southerner, Floyd, who has spent his entire life entrenched in the
routines, misinformation and anti-progress attitudes of a fictional
town called Rodenberg, TX. At the beginning of the story, quirky and
comical (albeit sometimes crass) moments that reveal brief insight
into the lives of many of the townspeople paint the sociological
landscape of this world. Floyd’s daily drudgery in working a customer
service job at a wheelbarrow rental store, ‘Wesley-Roundabouts,’ and
the playfully dysfunctional occupation of his best friend, Butts,
teaching art to young children, show us both a funny and surreal
situation.
After visiting Butts at work to give him both a mashed potato sandwich
from his pants and a shiny, parking-lot lighter–which forces Butts to
cry uncontrollably due the overwhelming kindness of the
gesture–Floyd’s life soon changes during a stroll away from the
school and down the county railroad tracks.
Floyd temporarily stops on a tall railroad bridge to have a brief
panic attack as he notices two men kissing in the woods. He had
assumed they must hold the status of ‘best friends’ in one another’s
eyes, merely there in the meadow to romp playfully doing ‘best friend
activities;’ however, the erotic display of their inner-most fantasies
towards one another shocks Floyd’s system into what can only be
described by medical doctors as ‘hillbilly madness.’
As the madness grips his nervous system, causing discomfort similar to
that of a suppository, Floyd fails to notice the revenge-seeking
family of rabid possums and giant train plummeting down the railroad
tracks towards him in an unforgiving but efficient manner. Upon
noticing, Floyd yelps, experiences a type of ‘reverse fart’ and then
runs as fast as he can towards the safety of a nearby grassy knoll.
Many talented possums are shoved to their doom off of the sides of the
perilous tracks behind Floyd, only to ethereally emerge as vibrant
green possum angels–fluttering upward to salvation. Let us say a
prayer for them.
Upon awakening safely with his face and mouth in dirt, Floyd
notices something very existential: a teeny tiny worm. Then, he
notices something even more existential; namely, that he almost just
died. His mind becomes flooded with Kantian questions, such as: What
can I know? What should I do? What is life? What is death? And should
we put blow-up dolls in lawn chairs?
Floyd walks back into the town in which he has spent the majority of
his existence, but things seem different to him somehow. He wonders if
there is more to life than he had initially come to believe for, uh,
his whole life. Floyd goes home and sits on his couch until the sun
sets and the moon emerges, pensively contemplating. Floyd’s roommate
and former elementary school gym coach yells at him (while lifting a
barbell) for having a light on because it makes it ‘so frickin’ hot’
in the house. The coach then inquires as to why Floyd is not watching
television and therefore appearing to act like a total idiot. Floyd
attempts to explain the shift that is occurring in his own
neurochemistry, but his efforts are in vain because the coach merely
accuses him of being effeminate. Therefore, Floyd decides to visit the
trailer of Butts, Butts’ boisterous, globular wife and their 9 to 15
children.
Despite Floyd’s best explanatory efforts, Butts insists that he simply
needs a nap and supper while Butts’ wife, Diamond, is too enthralled
with television food-commercials and locating her burlap sack to even
notice that Floyd has entered their home. It is at this moment that
Floyd realizes he must go to the most terrifying place in town for
answers: the local library (spelled ‘libary’ in Rodenberg).
Due to both a rather loose and enthusiastic interpretation and
enforcement of the United States Patriot Act, Floyd’s philosophical
inquiries are observed meticulously while at the library by Big
Brother–which is simply a man in a control room who is literally
Floyd’s older brother. It is clear that Floyd must travel elsewhere to
seek both the questions and answers he is after. However, Floyd would
prefer not to ‘go it alone,’ so he propositions his best friend,
Butts, to accompany him on his journey.
Butts desires to join Floyd on this trip and Diamond is easily sold on
the idea because (1) she does not care and (2) she is obsessed with
watching a show about how nobody should be allowed to say anything in
any context during the time in which Butts is explaining the idea of
his leaving.
So, the two hillbilly philosophers begin their road trip with such
excitement that they cannot help but slap spoons against their knees,
let a kicked possum drive for a spell, repeatedly smack slabs of raw
meat against local trees and even wreck their truck into a beautiful
above-ground pool. It’s a delight!
Justin Buschardt and Jonathan Hubbell wrote and illustrated this short
film to be a pilot, with hopes that it will
one day be picked up by a network as a series. They have several
seasons of episodes written, including one in the first season solely
about Marfa–backgrounds already painted and all! Both Jonathan and
Justin love West Texas, especially Marfa. They visit the area
frequently and Justin even proposed to his girlfriend in the summer of
2014 while staying at El Cosmico as she was unsuspectingly walking to
an outdoor shower.
She said “no”, of course.
Just kidding: she said “maybe”.
Okay, fine. She said “yes”.
Anyway, the two creatives would be honored to be a part of this
festival and delighted to have yet another excuse to visit the lovely,
unique area of the world known as Marfa.
Thank you so much for your time.


