The Creative Process across the Arts



And then there's music itself. I'm studying Beethoven this semester, and it's been really interesting to hear my professor talk about the different themes in Beethoven's music--how they're developed, how they change from one movement to the next, how they're introduced and how they're resolved. That sort of stuff. I've always been a fan of classical music, but I've usually approached it from a performer's point of view. How did the bassoon part fit into the piece? Yes, I've kept an ear out for other parts, but I've never really thought of music in the same way that I've thought about writing.
All of these thoughts have left me wondering how much the creative process differs across the arts. For me, writing is almost a group activity at times. Yes, I can closet myself away and work on a novel, not bringing it into the light of day until it's finished, but even then, I still rely on other people reading it and giving me input so I can decide what to change and how best to edit it. Does that happen in painting? Does an artist take his/her canvas to a group of peers and ask for input on it? And what about composers? Do they have test runs of symphonies where they can decide what's working and what's not? Maybe other arts do have these sort of test runs, and I'm just woefully ignorant.
If anyone out there is a sculptor or painter or composer, would you mind sharing the steps you go through to create a new piece?
Inquiring minds want to know . . .

Published on October 06, 2010 11:03
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