Questions Without Answers #4: What do I do when I get conflicting advice about revision?
First of all, pat yourself on the back.
Seriously, if you’re getting conflicting advice about revision, that means that you’re showing it to lots of different people, which is a courageous step and is really healthy for you becoming a better writer. It also means that you’ve found people to read your work who are giving you real feedback and not just “It’s great!” that family and friends often stop at.
Second, welcome to the real world.
If you go and look at reader reviews at amazon or goodreads, you’re going to see how varied the opinions are. Some people love Twilight with a holy passion. Other people hate it so much their minds explode. So it shouldn’t be a surprise that people react differently to your book, in its first stage.
I’d suggest making sure that you take notes if you go to a writers’ group to get criticism. Write down anything that immediately chimes with you. If you think—that’s what I meant to do or—of course, I should have thought of that, highlight or star or underline or box these comments. And then don’t work on the book immediately. Let it sit for a month and then go back to it and you will probably be able to see more clearly what *you* want to do to make your book better.
I say this as someone who has tried several times to write a novel based on a committee of feedback, trying to please everyone. A little distance can help you see things more clearly and gives you time to forget exactly what other people said. You don’t need the voices of other people in your head while you work. What you need to do is make an action list of things that *you* want to fix. If that happens to coincide with a few items on other people’s lists, that’s fine.
Beware of doing everything anyone tells you to do. Yes, even your agent. Yes, even your editor. Beware of doing nothing other people tell you to do. While I would read an editorial letter a few times during the process just to keep touch with the comments, don’t read it every day. That’s my advice anyway.
Conflicting advice during revision may make you think that no one knows anything. I remember when I was in high school, there were a bunch of students who thought that anyone who graded an essay was doing it completely subjectively because there were no objective standards for a good essay. Au contraire! The same is true for novel writing.
I would pay more attention to people who say things like:
1. I was confused by . . . .
2. I thought this part was boring. . .
3. I didn’t understand why this person did this . . .
I would pay less attention to people who say things like:
1. I really didn’t sympathize with this character. . .
2. I think you should add more of this . . .
3. I wish you would take out this part because it annoys me . . .
And here is something to remember about any critique that you get, paid for or in a writers group or anywhere at all. Your book is *your* book. No one (not even your editor) can MAKE you change something. I’m not saying to be stupid and refuse to listen to people who are trying to help you make a better book. But if you have a reason (even if it’s only that your gut is telling you something), talk it over with an agent or editor. And with other people, you don’t need to convince them. They shouldn’t be looking over your shoulder while you write. They give you feedback. You decide what to do with it.
Seriously, if you’re getting conflicting advice about revision, that means that you’re showing it to lots of different people, which is a courageous step and is really healthy for you becoming a better writer. It also means that you’ve found people to read your work who are giving you real feedback and not just “It’s great!” that family and friends often stop at.
Second, welcome to the real world.
If you go and look at reader reviews at amazon or goodreads, you’re going to see how varied the opinions are. Some people love Twilight with a holy passion. Other people hate it so much their minds explode. So it shouldn’t be a surprise that people react differently to your book, in its first stage.
I’d suggest making sure that you take notes if you go to a writers’ group to get criticism. Write down anything that immediately chimes with you. If you think—that’s what I meant to do or—of course, I should have thought of that, highlight or star or underline or box these comments. And then don’t work on the book immediately. Let it sit for a month and then go back to it and you will probably be able to see more clearly what *you* want to do to make your book better.
I say this as someone who has tried several times to write a novel based on a committee of feedback, trying to please everyone. A little distance can help you see things more clearly and gives you time to forget exactly what other people said. You don’t need the voices of other people in your head while you work. What you need to do is make an action list of things that *you* want to fix. If that happens to coincide with a few items on other people’s lists, that’s fine.
Beware of doing everything anyone tells you to do. Yes, even your agent. Yes, even your editor. Beware of doing nothing other people tell you to do. While I would read an editorial letter a few times during the process just to keep touch with the comments, don’t read it every day. That’s my advice anyway.
Conflicting advice during revision may make you think that no one knows anything. I remember when I was in high school, there were a bunch of students who thought that anyone who graded an essay was doing it completely subjectively because there were no objective standards for a good essay. Au contraire! The same is true for novel writing.
I would pay more attention to people who say things like:
1. I was confused by . . . .
2. I thought this part was boring. . .
3. I didn’t understand why this person did this . . .
I would pay less attention to people who say things like:
1. I really didn’t sympathize with this character. . .
2. I think you should add more of this . . .
3. I wish you would take out this part because it annoys me . . .
And here is something to remember about any critique that you get, paid for or in a writers group or anywhere at all. Your book is *your* book. No one (not even your editor) can MAKE you change something. I’m not saying to be stupid and refuse to listen to people who are trying to help you make a better book. But if you have a reason (even if it’s only that your gut is telling you something), talk it over with an agent or editor. And with other people, you don’t need to convince them. They shouldn’t be looking over your shoulder while you write. They give you feedback. You decide what to do with it.
Published on August 28, 2014 11:05
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