Jumping The Shark Week
Brad Plumer shakes his head over “that magical time of year when shark scientists tear their hair out over all the misleading claims about sharks that get splashed on TV”:
Case in point: On Sunday, the Discovery Channel aired a two-hour segment called “Shark of Darkness: Wrath of Submarine” about a 35-foot-long great white shark the size of a sub that supposedly attacked people off the coast of South Africa. And, surprise! None of this was real. As zoologist Michelle Wciesel points out at Southern Fried Science, the “submarine shark” in South Africa was an urban legend started by journalists in the 1970s who were trying to fool a gullible public. But the Discovery Channel didn’t debunk the myth — instead, they offered up computer-generated images and interviewed fake experts with fake names (like “Conrad Manus”) about the fake submarine shark.
As Arielle Duhaime-Ross observes, actual scientists are not amused:
Of course, this isn’t the first time Shark Week has experienced backlash for its negative portrayal of sharks and its tendency to rely on fiction rather than fact, as last year’s Megalodon documentary was widely trashed for suggesting that extinct sharks still roam Earth’s waters. But this year feels different, perhaps because a number of shark scientists have begun to explain why they refuse to work with Discovery – and how Shark Week burned them in the past. …
Samantha Sherman, a marine biologist at James Cook University, says that Shark Week was “the best week of the year” growing up, but it has taken a distinct turn toward pseudoscience. As a result, she says, her colleagues have been less than forthcoming when producers have called them and asked for help. “I have a couple friends that have been approached by Discovery and have turned it down because of where it’s going and the fear-mongering,” she says. “They don’t want to be part of the hate, or have their message misinterpreted so they have just said ‘no.'”
Joanna Rothkopf sighs:
In an interview with the Atlantic’s Ashley Fetters, Shark Week’s former executive producer Brooke Runnette outlined Shark Week’s programming strategy:
To a large extent, she says, the ominous tones and the imminent danger are still what draws viewers to Shark Week. In the past 25 years, Runnette and her team managed to isolate “what works” into a neat, distilled list of elements: “The shark is the star. Just keep showing that. Don’t give too much reason to worry. Make sure we stay outside, because it’s summertime, and everybody wants to see the colors and the light outside. You don’t want to be inside talking to people; if anything, you want to be outside talking to people. Just be in the water, with the shark; or be out on the boat, with the shark.”
It’s a classic story of modern media — when clicks and views mean success, accuracy and quality become unnecessary bonuses. We just need to stop being surprised when it happens.



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