Characterization

Characterization 101: Writers have quite an arsenal of ways for conveying a character’s personality. Whether overt or subtle, the savvy reader knows that characters are brought to life only if the writer has effectively done their job.

So how does a writer portray personality?

Fictional names act subliminally on readers. Is the name:


symbolic?

metaphoric?

ironic?


androgynous names (Lee, Pat, Kelly, Chris) ?


cliché or stereotype?

See for examples and an in-depth explanation.

Physical descriptions may convey personality as well.


Exposition style biographical summaries—aka “telling”— are found in older fiction.


Body type, hair,and eye color can be conveyed gradually by “telling” or with action and/or dialog. “I’m not fooled by her baby blues.”


Modern authors use synecdoche— one part standing in for the whole. For example nails that are chewed may indicate a nervous personality


Clothes are often indicators of character, class, & lifestyle. Your character’s driving a dented, rusty economy car while dressed in knock-off Christian Louboutins and holding a fake Louis Vuitton handbag may indicate a female with high aspirations and/or a  concern with appearances. Flashy jewels and clothes usually indicate an attention-seeking personality.

See character descriptions for a more.

A character’s dialog conveys personality. It often reveals:


level of education

ethnicity
geographicl location

predominant attitudes

maturity level
biases and/pr prejudices
relationship status

respect or disrespect for other characters


their need for understanding. For example, are they overly wordy or pithy?


cognitive level. Do they ask a lot of open-ended questions?

What, why, and how the other character’s respond ( or not) to them is also relevant.
Let’s not forget internal dialog–-those thoughts not spoken but which are frequent in a 1st person or limited 3rd person point of view

Actions often speak louder than words. The saying “it’s not what you say but what you do” is just as important in literature. Actions reveal:


feelings


intentions

gut reactions

or they may also disguise feelings and intentions

Writers may enlist all these character builders or employ only one or two. For example, Boo Radley in To Kill A Mockingbird never speaks and his physical description is given at the end of the novel. Boo is made real from other’s dialog and his heroic actions.

Have fun creating your characters!

Related links: Readin’ & Writin‘, Rock Your Writing