My Loncon schedule

I’ll be taking part in several panels at the World SF Convention in London in August (Loncon 3), and my schedule is below.  (The description of each event is a draft, and may be slightly different in the final programme.)

Not with a Bang, but with a Metaphor: Panel, Thursday (14th August) 12:00 – 13:30

Draft description: From Atwood’s ‘The Handmaid’s Tale’ to McCarthy’s ‘The Road’, apocalyptic and dystopian futures are a perennial favourite with writers who might be labelled ‘mainstream’ or ‘literary’. Why do such scenarios have an appeal that goes beyond a genre readership? What does a non-genre apocalypse have to offer that a science fictional one might not, and vice versa? Do we all share broadly similar nightmares, regardless of what ratio of science to sensibility we prefer?

Other panellists: Jacob Weisman, Tanya Brown, David Hebblethwaite, Paul Weimer.

 Through a Hollywood Adaptation, Darkly: Panel, Thursday (14th August) 18:00 – 19:00

Draft description: Thanks largely to the ever-increasing number of film adaptations of his work, Philip K Dick is one of the small number of genre authors whose names have been commodotised: “Dickian” is now a shorthand for paranoia, shifting realities and unstable identities, or even for the condition of twenty-first century life in general. But to what extent is this cliché precis an accurate reflection of the breadth of Dick’s work? What other themes and preoccupations can we see in his novels and stories? How far does his influence on modern SF really extend — and what rewards does his work offer to new readers today?

Other panellists: Christi Scarborough, Grania Davis, Malcolm Edwards, John Harris.

(Some thoughts of mine on this topic here.)

The Canon is Dead. What Now? Panel, Saturday (August 16th) 19:00 – 20:00

Draft description: On the one hand, initiatives like the SF Gateway are helping to ensure the SF backlist remains accessible to today’s readers, and an increasing number of “classic” SF writers are receiving the establishment seal of approval in series like the Library of America (Philip K. Dick) and the Everyman Library (Isaac Asimov). On the other hand, the SF readership is increasingly diverse, with fewer readers who have come to the field via those “classics”, and many who find little of value in them in any case. In other words the traditional SF canon is no longer tenable — but the history is still out there. So what alternative models and narratives should we be using to understand the field’s past? Should we be working to expand the canon, or to describe multiple overlapping histories — or something else?

Other panellists: Kate Nepveu, Connie Willis, Alvaro Zinos-Amaro

Interzone and Beyond: British SF magazines of the ’80s, ’90s and ’00s: Panel, Sunday (August 17th) 15:00 – 16:30

Draft description: Interzone has been a stalwart of the British genre scene since it first launched in 1982, publishing early stories by Charlie Stross and Stephen Baxter, as well as authors from outside Britain like Aliette de Bodard and Eugie Foster. But the past thirty years have seen a number of genre magazines launched in the UK, including Postscripts, Black Static, Infinity Plus, and The Third Alternative. How have they influenced the British genre scene? How did they find their own niches in the UK SF market, and which careers have been launched in their pages? And what is the importance of British SF magazines in an increasingly global and online market?

Other panellists: Wendy Bradley, Malcolm Edwards, David Pringle

Launch of the new Marcher: time and day to be confirmed.

Last, but certainly not least from my point of view, Newcon Press will also be launching the new and greatly revised edition of my novel Marcher at Loncon.  I’ll post details of this event as soon as I know them.