The Jamiroquai Conundrum

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I ran across this item last week and wanted to share. I confess. In the mid-90s, I happily watched whenever a Jamiroquai video appeared on MTV. The music station still played music in those days, and Jamiroquai seemed built to rule the medium—thin and scruffy as any vagabond, and born to dance like, well, like no one was watching. And that was sort of the rub right there. I lived alone in those days, and always had the creeping sense that somehow Jamiroquai’s spacey disco thrum was a guilty pleasure—not to be taken seriously as any sort of advance for funk or anything else. Would I have watched Jamiroquai just as happily if one of my friends was over? I suspect I might have watched the video and my friend at the same time, to see if they were entertained or succumbing to the same heebie jeebies ‘ole Jay Kay gave me.

So, with all that as background, I was stunned to find, after all of these years, others struggle with the same feelings around Jamiroquai. The Guardian ran this piece, in which the writer wonders “Why does nobody reference Jamiroquai?” and quotes Pharrell Williams—a guy at the tippy top of the game—admitting he digs that Jay Kay space funk, too, but feels like he shouldn’t cop to those feelings.

Well, to hell with it. “Canned Heat” features more dancing, but the above, “Virtual Insanity” still sounds, 17 years later, like a hit—and a fine set-up for a Friday.