I Hate Writing


Well, no. Not really.
 But as I'm working on this new story, I've been thinking about what an odd thing writing is.
Not storytelling. Humans have been telling stories to each other around the campfire since there was a campfire. No, I’m thinking about writing itself. The craft of telling a story -- which is unique and personal to each author.
Granted, genre fiction has always been more about the story than the craft of telling the story, but even so. Every author has a personal and private relationship with each story he or she writes. We can never experience the story as the reader does. But the reader can never experience the story as we do either.
That seems so weird to me sometimes. Especially when discussing the book with readers.
Anyway.
I like outlines for longer works. I know some writers feel like outlines kill spontaneity, but I don’t mean a point-by-point chiseled-in-stone outline. I mean I like thinking the story through and writing out the first and most obvious scenario. That’s what an outline is. You answer most of the basic questions before you start writing.
But of course writing is an organic process, whether you use an outline or not, and as I write, the story evolves, changes, deepens. So a lot of those first choices change. They would anyway, but having an outline means I’ve already done the original thinking and can move immediately to the next level. It saves time and I think it results in a more complex story than I would otherwise write.
But with or without an outline GOD IN HEAVEN I find the first draft to be hell. Hell, hell, unmitigated HATE IT hell. That first draft is torture. No matter how short the story, no matter how long it’s been simmering, whether there is an outline…it just doesn’t matter. It’s hell. I hate writing every word of the first draft.
No, I mean I hate writing. Period. I always wonder all the way through the first draft why I ever wanted to be a writer. What was I thinking?
I think part of why it’s so hard to write a first draft is that…letting go and sinking into the story. It’s the same thing readers do…let go and sink into the world of imagination. The difference is the writer has to do it first. The writer has to create the world for the reader. That first layer of imagination is the writer’s.
And it’s hard laying that foundation. It is extremely difficult to build an imaginary universe out of words alone, probably more so than ever in this visual age -- to create a world convincing enough to distract the reader from her own insanely busy world, to create characters whose fictional concerns temporarily supersede the concerns of the real life people she knows?
I guess that’s what I struggle with during the course of the first draft. It takes awhile before the world of my imagination is concrete enough that I see anything but typed words when I open the file. All that first draft I -- every writer -- struggles to black out the real world long enough to build the structure of the story world. Brick by brick, word by word.
And then it’s done. That horrible, wretched, deformed mess of a first draft is lying there finished. Well, I use the word "finished" lightly because the damn thing is barely started.
Ideally I like to just hand it off to my editor and forget it for as long as possible. Not even think of it again.

But then when I do finally come back to it, something has changed. It’s actually exciting to open that file and start the rewrite. That rewrite is, well, not fun. No. But this is where the magic happens. This is where the story comes to life. For me, I mean. Until then, it’s just words on a page and a lot of ideas and feelings. But when the rewrite starts, it does really change. Everything changes. I start to layer in the, er, layers. Emotional backstory, for one. Not the who-went-to-college-where or that unfortunate shooting incident. No, that’s mostly first draft stuff. Second draft is all emotional backstory. The psychological nitty-gritty. Who the heck ARE these people. Really.
So many revelations, so many layers. None of them possible until that godawful first draft is done and complete....
 
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Published on March 14, 2014 01:00
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message 1: by Kathleen (new)

Kathleen Thanks for sharing your thoughts on the craft of writing, Josh. Intriguing.


message 2: by Agata (new)

Agata Writer - a sado-masochistic being immersed in fictional, self-created worlds.

Thanks for sharing! However it may not be too helpful - I love your stories to bits. It seems that pain, blood and tears turn out to be a nice soil for the story to bloom to its full awsomeness ;)


message 3: by Tasha (new)

Tasha It was very interesting for me to read this blog-entry, because your books and novels always seem to pull me into their world from the very beginning. To me it seems as if it's really easy for you to create the setting you want your readers to see and feel. I've often heard that what seems to readers completely natural and easy flowing is often the hardest work for authors. My compliments, because you definitely manage to get your setting across to your readers when rewriting your first draft.
I read a book about writing in which the author talked about creating comfort-zones for your readers they like to come back to. Adrien English's bookstore will always be a comfort zone for me, one that really stands out. Like Harry Potter's dorm or Miss Marples's garden. You have a way with words that sometimes just makes me want to crawl into your stories.


message 4: by Sofia (new)

Sofia Your stories appear so effortless, so quiet, so simple but to make them appear so you are toiling harder as you say. I love your writing because it pervades my imagination, it does not impose itself. Thanks for taking the time and work to do this.


message 5: by Sofia (new)

Sofia Your stories appear so effortless, so quiet, so simple but to make them appear so you are toiling harder as you say. I love your writing because it pervades my imagination, it does not impose itself. Thanks for taking the time and work to do this.


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