In my critiques for Writers Workshop, when it comes to dealing with general plot structure, I tend to find Todorov's theory of narrative equilibrium a good touchstone. I try not to sideswipe a client with his name and lay down a whole whack of literary theory on them, but I do find it useful as an inroad to dealing with problems of a botched narrative trigger and fuzzy, or even absent, core
Published on February 21, 2014 14:03