Reaching My Reader — Part III
Description begins in the writer’s imagination, but should finish in the reader’s. ~ Stephen King
[image error]Several months ago, I blogged about the challenge of writing on a controversial subject—sexual fluidity—for an audience that spans three generations. As I noted then, many of the words that describe the spectrum of sexual relationships described by Alfred Kinsey a half century ago carry very different connotations depending on whether you are age 20, 40 or 60.
In retrospect, the challenge was more easily met than I anticipated. Because the theme of A Fitting Place is the growth that occurs when you step outside of your comfort zone, my interest was in how Lindsey Chandler deals with change, not with social constructs of gender or sexual identity.
In this context, my camera is trained on the day-to-day interaction between two idiosyncratic women who are searching for new ways to cope as they struggle with failed marriages and distraught children. What matters is their ability to provide support, affection and physical comfort along the way. They see no need to attach a label—such as lesbian, bisexual, or sexually fluid—to their relationship.
In a sense, the concept of sexual fluidity is of much more interest to me as an author than to my characters. In recognizing that sexual attraction, particularly for women, is often influenced more by the person than the gender, the concept allows me to discuss the dynamics of rebound relationships without getting ensnared in the “chick lit” genre.
The situation seems far more problematic now that my focus has shifted to marketing, to getting this book into the hands of readers interested in the options available to women who have left, not always by choice, a long and stable relationship.
Suddenly, I am in the world of sound-bites, of pithy phrases, of zingy one-liners. To use a cliché, I feel like I am between a rock and hard place.
The term “sexual fluidity” has only recently come into non-academic usage, and is unlikely to resonate with a large audience. Marketing copy that uses “lesbian” or “bisexual” implies something about my characters that may or may not be true, depending on the reader’s definition of those terms. While the labels don’t really matter to the story, leaving such terms out of my marketing materials may result in disappointed or angry readers who do not wish to read about unconventional sexual behaviors.
A Fitting Place addresses the challenges of rebound relationships, and their implications for all of us. The trick is to find a way to make an unconventional story appealing and accessible to a broad range of women.
Hmmh ? ?
My series on themes in A Fitting Place continues. I welcome your comments on this blog. If you would be interested in contributing to the discussion with a guest blog, please check out my guidelines here.
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