The Laughter Of Puritans

When Tocqueville visited America, he wasn’t impressed with our humor, claiming that “people who spend every day in the week making money, and the Sunday in going to Church, have nothing to invite the muse of Comedy.” Reviewing John Beckman’s American Fun: Four Centuries of Joyous Revolt, Ben Schwarz thinks that’s not the whole story:

The country’s true comic muse, [Beckman] suggests, has always resided in rebellious, unacceptable humor and entertainment. He begins this chronicle with the forgotten hedonist pilgrim Thomas Morton and his lively seventeenth-century settlement, Merry Mount. The name alone was a pornographic joke to the locals. In his satirical poetry, Morton referred to Puritan leader Myles Standish as “Captain Shrimpe,” and at Merry Mount he encouraged forbidden Maypole dancing, refused to recognize bonded service, embraced Native American culture aesthetically, and Native American women literally. Within a year, Standish’s and Morton’s followers negotiated at gunpoint for Morton’s expulsion from the New World, after which Standish had the pilgrim playboy’s Maypole chopped down. From there, Beckman offers a narrative history touching on the revolutionary bonhomie of Samuel Adams’s taverns (a barroom insurgency that led, in turn, to the rowdy, whooping Boston Tea Party), the subversive revelry of plantation slave culture, Western prank journalism, P. T. Barnum, jazzmen, flappers, merry pranksters, and riot grrrls. In American Fun, humor and music catalyze cultural subversion, breaking out spontaneously in response to intolerant majority rule.

(Video: Bill Hicks’ 1993 standup routine that David Letterman refused to air. Update from a reader: “Letterman didn’t refuse to air it. The network did. I know that’s what you meant, but it reads like Letterman wanted to censor another comic.” Previous Dish on Hicks here and here.)