This Loser Isn't You...

But of course it's also possible to take a good thing too far. In fairly recent times, the ordinary protagonist has spawned the loser protagonist, sometimes to the point of turning them into an irredeemably unlikeable disaster zone. While this trope isn't lethal to your story in either flavour, it's a tricky one to execute well.
Comedy is probably the natural habitat of the unlikeable disaster zone protagonist. From A Confederacy of Dunces to Seinfeld, we're laughing at these characters, especially when their misfortunes are their own fault. Even if that's not strictly the case, and unpleasant character can still generate humourous situations, particularly in dark or absurdist comedy.
Another common route is to have the character develop and pull themselves together over the course of the story. It doesn't need to be a full makeover, but progress and a determination to change. For the audience, this is both an endearing trait-- we admire people working hard to better themselves-- and aspirational, since we've somewhat identified with the character.
A third option is a character whose appealing traits balance out their 'loser' ones. Again, comedies are the natural habitat of characters such as Jay and Silent Bob, or Sean Spencer from Psych. These characters are essentially kind, likeable and amusing people who are also lacking in motivation, courage, or clean clothes. But they show enough good qualities that we empathise and enjoy their fictional company.
Published on December 16, 2013 03:22
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