An exclusive first look at what happens when you give an artist unrestricted access to Microsoft's researchers and technology.
You may not know the name James George, but you probably recognize his art. Working out of Golan Levin's lab at Carnegie Mellon alongside Jonathan Minard, he created some of the most stunning digital portraiture of our era--which then became a documentary--using little more than a Microsoft Kinect and a stock dSLR camera.