..I'm still struggling with the first section of
The Next Novel. Putting scenes under a microscope, I realize how much I've left unsaid —
unimagined.
How exactly do they get into the city? By what route?
Do they need papers?
What are they wearing?
What are they seeing, experiencing, feeling?
Where will they stay the night?
How will they lock up their things?
What about the donkey! Doesn't she need food and water?
On one level the revision process has to do with the big picture: the movement of e...
Published on June 21, 2010 04:43