MFAs

I have trying to figure out why I am so hostile to MFA programs in writing. It may come in part from my college. When I was there, Swarthmore made a big deal about not teaching any "practical" arts, such as studio art or creative writing, though it did have an engineering department that was one-third of the student body.

I know part of it comes from the cost of an MFA, which is a very useful degree if you want to teach creative writing, but is no help if you want to be a writer -- is a hindrance, since you will have student loans to pay back on your miserable income at Starbuck's. I worked with someone who got an MFA in printmaking and was loud on what a mistake it was, since she wanted to be a working artist, not a teacher. She had $40,000 to pay back. In the end, she started a house cleaning service. Its selling point was all the products used were environmentally safe, and all the house cleaners were artists. Last I heard, she was doing fine, making money and art.

Part of it comes from a gut feeling that I would have done really badly in an MFA program, since I write genre fiction and play games when I write.

By playing games I don't mean I have computer solitaire on while I write. I play games with the rules of fiction. My ideas of art come from the visual arts in the late 19th and 20th century, when artists were challenging the idea of a painting as a window into a 3-D space full of solid and real figures. The Impressionists and Post-impressionists and their successors flattened space and broke it apart and broke the boundary between the art work and the outside world. I wanted to do something similar in writing, though -- because I wrote in a genre that was stylistically conservative -- I didn't want to be too obvious.
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Published on October 28, 2013 09:17
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