You know how every once in a while, someone in Hollywood gets a “deep thought” and then builds a movie around it — one in which the characters all stand for something, the dialogue is a constant stream of polemic and there’s no mystery at all as to how things are going to turn out. That’s what David Eggers’ “The Circle” feels like. It’s about as subtle as a kick in the groin.
Put another way, “The Circle” is the literary equivalent of “Crash.”
Here’s the thing: I’m not ashamed to say that I was...
Published on October 16, 2013 08:03