The supreme asshole behind Pitchfork’s tidal outpouring of musical assholery manages today to truly outdo himself with his review of “Dark Was The Night”. In addition to complaining that the music is too folk-centric (he did not curate the album, unlucky guy) and admitting that his first reaction to hearing the album was “negative” despite midas-tagging it as “Best New Music” (he DID get to rate the album, lucky ed in chief), he also achieves the mind boggling juggle of both pleading for “more h
Published on February 26, 2009 15:45