For reasons I won’t go into – it’s a lengthy list – I’ve been nearly three weeks away from applying a keystroke to The Bull At The Gate. This is not good. Especially as I am well within its last quarter.
Not only have I lost the emotional surge of the main character that went with cranking up the ante, but the quiet tapping from the shaky structure of one of the three intersecting storylines
Published on September 29, 2013 11:47