A Peek Beneath the Duct Tape: Sleepwalkers, Chapter 11 and onward

But you didn’t come here to read about the e-book, did you? You want my final thoughts about the novel and its central characters. Let me start by addressing a question that came up in the comments section of this blog: Dreamer is still out there, so can’t someone else build an empire like Hawthorne’s? Well, no. Not very easily. Notice that Wizard anticipates the Chinese Waking Up and becoming world-class programmers. That’s your tip-off that Paul and Shara gave them Waker. They put the formula into wide release because they don’t want anyone else to go through what they did. Yes, it means aiding a former enemy nation, but they wouldn't be themselves if they did otherwise.
Here’s another question people have asked me: Will there be a sequel to Sleepwalkers? I could always change my mind later, but right now I don’t have any plans for a sequel. However, I am still thinking about a prequel involving Angela and Reynaldo.It would tie up some loose ends regarding Wiesen, too.
Now, what about the main characters of Sleepwalkers? Where do they go from here?
First, almost everyone is going to live a long, happy life. Even Hawthorne and her Cabinet won’t be too unhappy, even if we wish they were. As Shara explained, you can never really exact justice on a sleepwalker. Oh, they’ll feel sorry if you tell them to. They’ll even wallow in misery. But they won’t really be sorry; they’ll just be trying to please. But justice is important to Shara, so she did the best she could without getting into cruel and unusual punishment. Her solution is also imminently practical because the new government really needs the old government’s help. You can be sure they’ll keep Hawthorne alive as long as anti-aging treatments allow.
But forget about the General. What about the more likeable characters?
Paul and Shara will remain happily married, although that they’ll have trouble balancing their busy new careers with their private lives; and it won’t be as easy as Shara thinks to give up her government work. She'll spend a few years butting heads with politicos, but eventually she’ll decide that she can do more good in the private sector. Fortunately, by that time, she’ll have done more good than she realizes in the public sector. Paul will have only a little less trouble trying to run his university. He'll spend as much time in the classroom as he can and hire administrators for the real dirty work.
Once Wizard hires and trains her staff, she’ll be able to enjoy the outdoors as much as she likes. But don’t think that means she’ll lose her interest in computers! Picture her at the bottom of the Grand Canyon, sitting on a boulder and enjoying the view, while simultaneously uploading and downloading five different feeds.
Melora, Josue, and Ian will be senior professors at the Phoenix School for Genetics. Eventually some grateful citizens will erect statues on campus dedicated to them and Paul; and inevitably some students will drape underwear on the statues’ heads. Josue will laugh, Melora will grumble, and Ian will secretly wish his statue was covered head-to-toe.
Zane will have even more difficulty leaving Hollywood than Shara will have leaving government work, but he’ll stay out of the limelight and insist on doing only “important” films. After about three decades of this, the Academy will finally take him seriously and give him an Oscar.
Charlotte and Aimee will remain best friends for the rest of their lives, and Charlotte’s grandchildren will grow up calling Aimee “aunt.”
Mullins will either become a park ranger or move to New York City. He hasn’t decided yet.
Rubens will write (read: have a ghostwriter write) a memoir of his experiences with Hawthorne and Shara. No one will be particularly interested.
If you want to imagine any particular romantic couplings for these characters (apart from Paul and Shara, who are an exclusive pair), you're more than welcome to do so as long as they're mere speculations and not stories.
Finally, here are a few notes about the overall shape of Sleepwalkers. I didn’t start it with any overarching themes in mind, but they began to spring up naturally once I realized what I’d done with the setting. Originally I chose Phoenix just because I wanted to use a non-Southern city for a change, and I’ve actually been to Arizona. But then I made the connection with the mythological phoenix, and I realized how first Paul and then most of the other characters experience a rebirth/resurrection (This was still long before I came up with Shara’s test, but of course she fits that model more clearly than anyone). Sometime later, I thought about the symbolism of living underground and/or in darkness before rising into light and life again. And finally, after all of the above, I got around to noticing how often I'd referred to sleepwalkers as “zombies.” My subconscious fucks with me like that. A lot.
Another major theme of the story is guilt and forgiveness. I first started fantasizing about Paul and Shara when I was about 11, and I imagined myself in the role of Shara (who was a totally different character at the time). Now, as a forty-something adult, I see that my stand-in is really Paul. His sense of guilt is my sense of guilt, and although I have much less reason to feel it than he does, I still need someone like Shara to forgive me and help me forgive myself. That's a big part of why this story ends on such a happy note. I put myself through hell writing parts of it, but I knew how it would turn out okay in the end.
Well, thank you for coming along with me on the ride. I've been dreaming of publishing this story since I was old enough to come up with it; I just never thought it would happen. So even though this will sound incredibly sappy, I have to say it. Having the chance to share my fantasy with all of you, and hearing how much you've enjoyed it, is like - yeah, I really do have to put it this way - a dream come true.
I found the image at the top of this post here.
Published on September 07, 2013 18:07
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