Anne Carson's Nox was not, at first sight, the best choice to read in the sunshine, on the grass, beside the Thames, last Sunday afternoon. It is a book in a box shaped in homage to a coffin, a concertina of pages that would have been easier to handle in a chair and bears an eery resemblance to sheet for wrapping dead bodies, an assemblage of artful lexicography and personal memoir, fractured and reconstructed around a melancholic Latin poem.
Not only did I consume it at a single river-bank ...
Published on June 17, 2010 03:40