Sequels
In the Guardian today, Neil Gaiman said, "I think everything I've written with the exception of Ocean [at the end of the Lane] has a sequel I could start tomorrow." And it got me thinking.
pinguino k from North Hollywood, USA, 2007There is a passion for sequels. I can't tell you how often fans have written to me asking for sequels to books whose story seems to me to have come to a definite end. And it can go on after an author is dead; just how many James Bond, Sherlock Holmes and Jane Austen spin-offs can there be? (Especially now you can just add zombies).
Another way, the more elegant to my mind, is to have a minor character from a book become the dominant one in another, as Paul Scott did with Booker-winning Staying On, after writing the Jewel in the Crown series. Susan Howatch made it the dominant feature of her Starbridge series of novels.
Giorgio Bassani's Romazo di Ferrara was five novellas linked in this way, of which the most famous is The Garden of the Finzi-Continis.
Yet another method is to write a prequel, explaining something about the earlier life of one of a novel's characters : Philippa Gregory, whose The White Queen is currently being shown on British TV, is releasing The White Princess this summer, which is at least chronologically later, being about the White Queen's (Elizabeth Woodville's) daughter (Elizabeth of York). But the novels were written out of historical order.
3rd in the Cousins' War sequence but a prequel to The White QueenStill, Shakespeare wrote Henry Vl (all three parts) and Richard lll before Richard ll, Henry lV (2 parts) and Henry V. Perhaps the groundlings shouted, "More! More!" and Henry Vll would have been a bit too close to home. (Even though he did probably later write Henry Vlll with John Fletcher).
How do you feel about sequels? Which novel would you most like to have one? My candidate is Michael Faber's The Crimson Petal and the White.
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pinguino k from North Hollywood, USA, 2007There is a passion for sequels. I can't tell you how often fans have written to me asking for sequels to books whose story seems to me to have come to a definite end. And it can go on after an author is dead; just how many James Bond, Sherlock Holmes and Jane Austen spin-offs can there be? (Especially now you can just add zombies).Another way, the more elegant to my mind, is to have a minor character from a book become the dominant one in another, as Paul Scott did with Booker-winning Staying On, after writing the Jewel in the Crown series. Susan Howatch made it the dominant feature of her Starbridge series of novels.
Giorgio Bassani's Romazo di Ferrara was five novellas linked in this way, of which the most famous is The Garden of the Finzi-Continis.
Yet another method is to write a prequel, explaining something about the earlier life of one of a novel's characters : Philippa Gregory, whose The White Queen is currently being shown on British TV, is releasing The White Princess this summer, which is at least chronologically later, being about the White Queen's (Elizabeth Woodville's) daughter (Elizabeth of York). But the novels were written out of historical order.
3rd in the Cousins' War sequence but a prequel to The White QueenStill, Shakespeare wrote Henry Vl (all three parts) and Richard lll before Richard ll, Henry lV (2 parts) and Henry V. Perhaps the groundlings shouted, "More! More!" and Henry Vll would have been a bit too close to home. (Even though he did probably later write Henry Vlll with John Fletcher).How do you feel about sequels? Which novel would you most like to have one? My candidate is Michael Faber's The Crimson Petal and the White.
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Emma Louise
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Aug 01, 2013 06:20AM
I avoid sequels most of the time because they're usually pale in comparison to the originals. If I Stay, for example is one of my favourite YA novels, but when Gayle Forman wrote a sequel, I didn't like it, loathed it even for taking away my right to speculate on the character's futures. Something similar happened with Sally Gardner's The Red Necklace, but that sequel was just downright awful. Honestly, I'm mad at authors who write sequels. The exceptions are series who've been planned from the get-go, like Harry Potter, Percy Jackson, etc. If the author just writes because the people want more, then they aren't being fair to the original book. People will always want to know "what happens next" but the writer should just ignore them.
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