From the Chicago Reader (May 1, 1990). — J.R.
Though crippled by studio recutting that tried to adjust this neurotic 1962 melodrama for the family market, Vincente Minnelli’s adaptation of Irwin Shaw’s novel is one of his last great pictures, reversing the Henry James model of innocent Americans encountering corruption abroad — it’s the Americans who [...]
Published on July 21, 2013 22:00