Finding the Right Point of View

Most contemporary romances are written in the third person. Often from the point of view of both the hero and heroine. My recently completed project, Love Me Not, also follows this format. But my debut novel, Making the First Move—which releases today—does not. The story is told in first person from the point of view of the heroine. So why did I break rank? When I wrote the story—many moons ago—I considered it romantic women’s fiction. Getting inside the head of my heroine’s love interest was...