From the Chicago Reader (February 1, 1989). — J.R.
The conclusion of Michelangelo Antonioni’s loose trilogy (preceded by L’Avventura and La Notte), this 1961 film is conceivably the best in Antonioni’s career, but significantly it has the least consequential plot. A sometime translator (Monica Vitti) recovering from an unhappy love affair briefly links up with a [...]
Published on July 19, 2013 22:00