How to Label Wine and Books

Yesterday, I got into a discussion on Twitter about the validity of labels/ categories/ genres for fiction: namely, middle grade —tween — young adult — new adult — adult.

 I don’t like admitting I was wrong, but I will say this: I used to believe in labels. They guided me to the same sorts of books over and over. Books I knew I would like. And they also allowed me to be snotty about books with other labels. But it meant I also missed hundreds of books that I also would have liked, because they didn’t sit on that shelf. Labels can be a great finding tool, but remember that they are, by their very nature, exclusionary.

As far as whether or not middle grade, young adult, adult, etc. are useful labels, I think this: once upon a time, we had an idea that one became a more sophisticated reader the longer one had been reading. Like a wine-drinker whose palette refines and longs for more complicated sensations. So children’s books were supposedly simpler and adult books were more complex and young adult books fell somewhere in between.

But that’s a model that doesn’t account for books that work on several levels. Quite a few novels reward both a shallow read and an analytical read. There is something for the most flippant of readers and something for the most jaded.

What to do with them, then? Do we put all of the complicated books with hard words in adult? Do we put all of the simple books in children's? What about the complicated children who want heartier fare? What about the exhausted adults who want only to be diverted for a moment at the end of the day?

I’m not sure what the answer is, but I do know that I mistrust labels deeply. Yes, they should guide readers, but they should never guide readers away. I don’t understand the shame in getting a book from the young adult section, or the romance section, or the sci-fi section, or the picture book section. Someone else put those labels on that book, not you.

And they aren’t the boss of you.
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Published on July 16, 2013 16:03
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message 1: by R (new)

R Maggie, I agree with you about the "labels" that sometimes limit a reader's choice...that inhibits him/her from choosing a book that really is appealing but in the "wrong" or not normal section of the library or bookstore. I am a school librarian at a middle school where I have a collection of "children's books" or namely, picture books. When a patron asks me for help finding a book, my normal protocol is to get the student to tell me the last thing that he/she liked reading (or watching). My goal is to get an idea of the "things" that this kid found interesting and work from that point forward, always suggesting something slightly out of this range too to encourage depth and spreading of one's wings in reading. Throughout this journey, I do take these kids to the picture book section, when appropriate for my collection. One time, a very sophisticated reader was so shocked when I took her all around the library from fiction to nonfiction to the picture book area. She went home with a handful of books some picture books. The greatest compliment was that she now would not dismiss picture books as she got older.

Labels can lead to an area of likes or get you closer to the target. You should not limit yourself based on what others label what you read as. You are the ultimate decision-maker. And if you don't like what you get, you can always go back for something different. And, like this social book outlet, I often find it amazing what others tag their books with. These tags are personal for me: to help me recall a book, so they do not always match what others have marked. I find it more interesting to see what my friends are reading and go from there.


message 2: by Xyra (new)

Xyra I agree. If you look at my library you will see a wide range of books from picture books to the classics. The funny thing is the more we try to find out what interests a person the more labels we get. So where once it was children's, fiction, non-fiction, reference. We now have 20 or 30 areas in a book store to peruse. And where once we might have called a book sci-fi it is now a new adult, dystopian, paranormal action romance. And the mystery section is filled with cozy, crime, true crime, etc.

The hard part is the authors that crossover...I hear Nora Roberts latest book is a mystery...where does that get housed?


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Maggie Stiefvater

Maggie Stiefvater
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