Stuck Between a Writer's Block and a Hard Place

I have a confession to make, although it’s mostly to myself. Forget however many copies my book is selling; I'm definitely going nowhere as a writer. For the past many months the main creative writing I have done is trying to come up with original answers to the questions put to me in the countless interviews I've given. Don't get me wrong; I've certainly enjoyed the marketing I've been doing for my novel, The Guilty. Doing interviews, seeking reviews, posting comments and occasional blogs, discovering how many sites out there are devoted to the independent author. I feel like I've recently joined an on-line community I never knew existed, and I spend much of my time inter-acting with other authors as well as readers. But all this time and effort has been in the place of actually writing. Blogs aren't real writing (unless you're a full-time or professional blogger.) Neither are posting reviews of the books of others. For me, real writing means getting back to the fictional characters I've created and who now wait in limbo, wondering when their destinies will be fulfilled. Real writing means regaining the discipline to tell the stories I enjoy telling.
And I do have stories to tell. Two of them to be exact. Two books that I managed to become blocked on after about 200 pages each. That’s already a lot of work to put into a single story, let alone two of them. Yet they sit there, on my computer but, sadly, not on my mind. And I tell myself I have no time to write because I have to organize a blog tour, or prepare for a book fair. But maybe I’m just too scared to put in the hard work and hours that are necessary to get over my writer’s block, to getting the story-telling untracked.
I used to like to think I was a writer, whatever level of success I attained. Now I’m just a busy publicist, who used to write. On more than one occasion, I promised myself that once this or that was done, once I got over the next hump, I would pick up one of my half-written books and get back to being a real writer again. I just don’t know if I can take myself at my word.
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Published on June 06, 2013 09:08 Tags: books, gabriel-boutros, the-guilty, writer-s-block, writing
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message 1: by Jason (new)

Jason Reeser I find this goes through cycles. I have to set goals, not like words-per-day goals, but goals like "by October I will finish this book". Hack writers can knock out a book a month, but you get hack books with that. I feel if I can write a novel over a year, I'm happy. But mine can be long, complex, and require lots of planning time. For breaking writer's block, I tend to outline about fifteen "scenes" ahead. (I'm a movie fan, and I tend to see my books broken into scenes.) When I have to, I can even skip ahead to a scene I'm looking forward to, then back to the one I was not excited about. And I've learned that you can write a scene that will need reworked, but it at least keeps you moving.

As for all the publicity work, I tire of it quickly, and move on. The bigger fight for me is time spent reading versus writing. But reading inspires writing, so it is not such a bad thing to lay aside the pen to read.

I also like Hemingway's advice. He says you should never write until you've run out. Leave something for the next day. Don't finish that scene you are working on, and if you do, start anther one immediately so you can pick it right up the next day. (Not that I write every day.)

And relax, Gabriel, you are not alone. All writer's tend to experience these things. It can even be beneficial to set things aside. One of my favorite short stories had a writing gap of over a year, and it turned out far better than I'd thought it would.


message 2: by Jason (new)

Jason Reeser I find this goes through cycles. I have to set goals, not like words-per-day goals, but goals like "by October I will finish this book". Hack writers can knock out a book a month, but you get hack books with that. I feel if I can write a novel over a year, I'm happy. But mine can be long, complex, and require lots of planning time. For breaking writer's block, I tend to outline about fifteen "scenes" ahead. (I'm a movie fan, and I tend to see my books broken into scenes.) When I have to, I can even skip ahead to a scene I'm looking forward to, then back to the one I was not excited about. And I've learned that you can write a scene that will need reworked, but it at least keeps you moving.

As for all the publicity work, I tire of it quickly, and move on. The bigger fight for me is time spent reading versus writing. But reading inspires writing, so it is not such a bad thing to lay aside the pen to read.

I also like Hemingway's advice. He says you should never write until you've run out. Leave something for the next day. Don't finish that scene you are working on, and if you do, start anther one immediately so you can pick it right up the next day. (Not that I write every day.)

And relax, Gabriel, you are not alone. All writer's tend to experience these things. It can even be beneficial to set things aside. One of my favorite short stories had a writing gap of over a year, and it turned out far better than I'd thought it would.


message 3: by Gabriel (new)

Gabriel Boutros Thanks Jason. I just might take your advice about planning ahead. That might get me moving again.


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