Action and suspense sequences and scenes with high emotional content (as in romantic situations) are probably the most important type of scene that can be sabotaged by excess verbal baggage or convoluted sentences. There are also sentences that are intended as “trump cards” that are played with a flourish at the end of a scene, chapter or story. They function like the punch line in a joke, and they work only when they are punchy (concise) enough to convey their full meaning in one bite.
I use...
Published on May 21, 2013 22:00