date
newest »


I am having a lot of a hard time finding a good book in Arabic.

For me it's the characters like you Ais, that can make or break the book. I had thrown a book aside because I could NOT believe one character and the group of other characters could NOT see through the villainess' blatantly obvious schemes and ploys.
And I tend to love the badass woman shero (nice name for heroine ;)) that don't give a damn and go after what they want regardless. :) Love the woman characters of Alanna series and other books in the world of Tortal, as well as the women of the Pern series by the original author there.
But for some reason the nice sweet guys get my heart racing. And yet I am in love with my oc character in the works I am currently in the process of slowly writing out and defining for eventual debuted book, the mysterious sharp-eyed analytical and intense hero with a painful past that makes him have all the MORE reason to fight for the underdog, literally at times. And the shero of that would be (hopefully received as I see her) badass and not beholden to any man as well as sassy and giving as good as she got and the one to kick my hero's ass into gear at need.
Enough of my rambling, ehehe!


It's true what Kate said, I suppose it does depend on the context for me as well, but I think even then I end up being super character-driven. I think if I read two books that were identically and excellently done except the characters changed, and in one version I really connected with them and in another I didn't, it would be the difference between addiction and ambivalence for me.
Indigo-- I love bad ass women too :) They're kind of hard to find, sadly.
Weasel-- Actually, I do have to agree that character development isn't always needed, at least not in a one volume story. But if it's a really long ongoing series, it DOES annoy me if there's zero development or progress for a character because I feel like I'm just reading the same thing over and over, and what's the point of that? I could go waste my time doing something else that's at least entertaining. Although I think you could get away with writing a character who never changes if the character started out as a complete mystery to the reader and then back story and quirks and other things were doled out over time, so there's something to wonder about still.
Jess said: "I'll forgive, overlook, or just plain not notice a LOT that would otherwise bother me if I'm engaged with the characters."
Me too. I'll fill in the blanks or come up with reasons for things that may or may not hold up to scrutiny if only I really like the characters.
Nour said: "I think the more a person reads, the more his opinion and standards change towards books, and the more it is hard to satisfy him."
Yeah, that's true. Honestly, I think that's why I haven't been reading many books lately. Fiction books have been largely disappointing me of late, and the few I've read that have interested me at all are fun while I'm reading them but nothing that sticks with me a week or two after I put it down.
When I was a kid-- and this is sadly true, since my mom told me it recently-- when my siblings and I got in trouble my parents would take away what was most important to us. It was money and baseball cards for my brother, but for me I wasn't allowed to go the library. I used to actually get in trouble in the summers because my dad would find me staying up reading all night, and when I went to the library I would check out 14 books at a time and have them back right away.
I always used to read like mad, but in the last several years I just... can't get into anything. It's probably why I've been straying toward manga, anime, and tv shows more because they're visual, so if I'm disappointed by anything at least I can look at something pretty or interesting.
That's what got me thinking about this topic, after talking to someone who hated an anime I loved.
I wish something would make me a fan again :(
Ais wrote: "Yeah, that's true. Honestly, I think that's why I haven't been reading many books lately. Fiction books have been largely disappointing me of late, and the few I've read that have interested me at all are fun while I'm reading them but nothing that sticks with me a week or two after I put it down. "
I hate that. I've gone through multi-year periods where I didn't read much at all because I was so dissatisfied with the fiction I was reading, and non-fic will only hold my attention for so long. Generally I find some other outlet. The last time it happened I relandscaped the whole 1/2 acre around the house. It was fun and took me about 3 years to get it where I wanted it. Then I discovered m/m and then slash which has kept me entertained for 3 or 4 years, but I think that's about over....I sense another mega-yard project coming up.
I hate that. I've gone through multi-year periods where I didn't read much at all because I was so dissatisfied with the fiction I was reading, and non-fic will only hold my attention for so long. Generally I find some other outlet. The last time it happened I relandscaped the whole 1/2 acre around the house. It was fun and took me about 3 years to get it where I wanted it. Then I discovered m/m and then slash which has kept me entertained for 3 or 4 years, but I think that's about over....I sense another mega-yard project coming up.

Non-fiction isn't my favorite, either-- I like it for researching but unless it's a Simon Singh book, I can't focus on it for just reading for fun, either. I wish he'd release another book. Maybe that could get me out of my rut.
Or maybe I should take up some other hobby like you.
If you end up going in a direction like tv shows and manga instead of yard projects, let me know if I can help out with recommendations or discussions ;)

That's happened to me a few times and I HATE IT!!!! Thankfully, for me it's usually been just weeks or months. The thought of years terrifies me.
What's (usually) jump-started me again is to reread old favorites. Usually sci-fi/fantasy, which was my original genre. A few times I've then gone on to read new-to-me books in the genre for a while, and then gotten my general reading mojo back. But hey, if I'm reading, I'm happy. :)
Ais, I hope you find something soon that works for you! Though picking up a productive new hobby hardly sounds like a bad thing.
Kate, don't leave us! *clings to Kate's ankles*

That being said: Ais have you tried any Mary Roach? She's nonfiction, but I think she writes in a really entertaining style. I loved Stiff: The Curious Lives of Human Cadavers.
Also maybe switch it up. I read Gillian Flynn and I love her, but she's hit or miss for people. You could read YA or even something classic like Agatha Christie which is fun, but you don't have to think very hard. Hell even Sue Grafton. You could also look at the teen/childrens' summer reading lists and groupings in bookstores. Those are usually fairly interesting.

Jenn -- LOL you know me so well. I love nonfiction based on forensics and cadavers. (Which is weird since I'm a vegetarian) Stiff sounds awesome, ngl. I need to find that! Thanks for the recommendation!
I think you're both right that I do need to switch it up. Lately I've been kind of wanting to gravitate toward YA so I might check that out. I just realized I don't think I've ever read Agatha Christie...

Rereading favorite books from when I was a teenager has been the closest thing to guaranteed success I've found. What a treasure trove that box of books is!
If you want a YA rec (and can find it!) I remember reading Walk Through Cold Fire as a teenager and being blown away by it. All the reviews here and on Amazon seem to love it as much as I remember.

That's funny that we both gravitate to those topics despite being vegetarian ;)

Yes, this. I'm not sure I'd say I gravitate to those sort of books, I just love nonfiction books written like novels. One I was just reminded of recently that I remember loving is The Professor and the Madman: A Tale of Murder, Insanity and the Making of the Oxford English Dictionary.
Also, if you have any interest in probability at all (and maybe even if you don't), Against the Gods: The Remarkable Story of Risk and The Lady Tasting Tea: How Statistics Revolutionized Science in the Twentieth Century were awesome.
I could keep going... :)

I also don't gravitate to nonfiction books in and of themselves-- a lot of times I find them to be too tedious to read-- but if they're written like novels, I tend to love them. It's probably why Mythbusters is one of my favorite shows ever.
Feel free to throw more nonfiction-like-novel recs my way since weirdly enough I'm probably most likely to read those before any of the fiction books I have waiting. Also, if you haven't read them yet, I definitely recommend The Code Book and Big Bang. They're both great. Fermat's Enigma managed to get me so intrigued by mathematics that I actually went out and bought One Two Three Infinity right away, although I never got far into it before I got distracted.
While we're on the topic of nonfiction, I also remember liking Mountains Beyond Mountains (and Tracy Kidder in general), Memory's Ghost, and Rape of the Mind (interesting but not very novel-like) although it's been years since I've read any of them. By the way, because it's so old, you can find Rape of the Mind for free online.
Oh and I recently read Devil in the White City and liked it. I thought it was really interesting how it interwove two stories. The funny thing is, I remember REALLY liking it but just now I saw I'd only given it 3 stars. But I also apparently didn't write a review so I don't remember WHY I gave it 3 stars instead of more. Good job, self.

Today, I sat outside and read Death's Acre for... I'm not sure. An hour? 1 1/3** hours? I didn't keep track of time, but it was really relaxing and pretty damn awesome, and also kind of funny that I was all content and intrigued and relaxed since the book is all "AND THE BODY'S FACE WAS ROTTED OFF WHICH WAS SWEET BECAUSE THEN I COULD TELL SHE WAS 30-34 YEARS OLD..."
**I love how in my tiredness I typed 1 1/3 instead of 1 1/2. 1 1/3 seems like a bizarre, arbitrary amount of time to quantify. YES IT WAS EITHER 60 MINUTES, OR PRECISELY 80 MINUTES BUT NOT TO BE CONFUSED WITH 90 MINUTES. But since I was amused by the typo I left it.

You want more recs? I can give you more recs! I read and loved Fermat's Enigma around the same time as the stats books - I was Minoring in Statistics at the time. I also liked The Hole in the Universe, I remember reading it on some flight.
Gödel, Escher, Bach: An Eternal Golden Braid is one of my if-I-were-stuck-on-a-desert-island books, because I think it has so many layers it could keep me entertained for years even if I could read nothing else. It's not exactly novel-like, but it's fascinating.
I started The Measure of All Things: The Seven-Year Odyssey and Hidden Error That Transformed the World years ago and was enjoying it. I don't know why I never finished it, but I still have it bookmarked, intending to get back to it at some point. I don't remember how novel-like it was or wasn't, though.
The Mother Tongue: English and How It Got That Way was entertaining. I also enjoyed The Genius of Language: Fifteen Writers Reflect on Their Mother Tongue.
I loved To Engineer Is Human: The Role of Failure in Successful Design, and I think I read and loved a few other books by him. His style tends to be entertaining.
Also, I LOVE your footnote! =D

I just remembered that my friend really likes The Omnivore's Dilemma (and I swear, finds a way to reference it like 5 times a day lol) but I haven't yet read it.
Also, if you end up wanting to veer toward historical fiction at any point-- and also for you, Indigo, when you were talking about bad ass women-- I just stumbled upon my 2005 review of The Twentieth Wife and The Feast of Roses. I can't say whether I would feel the same about the books if I were to read them now, since it's been so long, but apparently 8 years ago I really enjoyed them.
Here's what I'd written -- contains a few minor spoilers, a spot of rambling, and a criminal lack of capitalization ;P
(view spoiler)

I already added The Twentieth Wife because I saw it in my feed and thought it looked good. I used to read a lot of historical fiction. Not so much in recent years, but it might be time to be getting back to it. :)

Like for instance, when we were learning Japanese, they wouldn't teach us the word for "no" or "hate" for a long time, because culturally speaking it's generally considered rude to just be like NO! or THIS SUCKS! to things. So what they taught us was if, for example, someone had given me food I hated or they were wearing something god-awful and asked for my opinion or any situation in which I want to tell someone that whatever they're doing or asking me about isn't good, rather than outright saying that you were supposed to say, "Sore wa chotto...." and trail off, possibly screwing up you face a bit, and holding your hand flat out in front of you and rocking it back and forth. That translates to "it's a little...."
And that's it. You don't even say "I'm not a fan", you just say "it's a little...." and make the "so-so" sign with your hand. That was fascinating to me at the time of learning it.

Fast Food Nation sounds really familiar... I think I saw the documentary for that. I should check out the book or double check if I saw the documentary. I was on a kick for a while of watching food-related documentaries (including agriculture) and I saw some awesome ones, and other ones that were decent or just okay, but of course I watched them in a freaking marathon and can't remember titles or individual plots lol They were basically all saying the same thing-- the American food industry is screwed, and so are you for eating it.

I love your Japanese example, and that's exactly the sort of thing that got me so fascinated in the first place!
Since you specifically mention the anthropological side of language, you might like
Genes, Peoples, and Languages. I remember enjoying that one. I haven't read this one yet, but I picked it up at a used bookstore because it looked good: Gesture and the Nature of Language.
I remember Growing Up with Two Languages: A Practical Guide as a fun read. I loaned it at one point to a friend interested in language and bilingualism, but not involved in any academic study of it. He loved it, fwiw.
Another I picked up at a library book sale but haven't yet read is Grooming, Gossip, and the Evolution of Language. If you're particularly interested in the anthropological side of things, that might be of interest to you.
Another novel-like one I forgot to mention is The Power of Babel: A Natural History of Language, and I remember reading and loving a few others of his as well.
I also have a bunch of more academic ones, if you want to get more technical and less novel-like about it.

Yeah, that's pretty much my take-away message from the books I've read and documentaries I've seen on the subject. :(

When Blink came out, every scientist I knew loved it but said variations of, "It was great, and well-researched, except in my area ." After hearing that enough times, from enough people in enough different areas, I figured the whole book was pretty much discredited.
Gladwell is a good writer, who writes about interesting topics in entertaining ways, but he's not a scientist and clearly doesn't really understand science. So, for the most part, I think his books should be read with a giant shaker of salt. But (maybe because it was his first?) The Tipping Point seemed to be solid, as well as highly entertaining.
A related sort of book that I also found novel-like in its entertainment value was Made to Stick: Why Some Ideas Survive and Others Die. And Mistakes Were Made (But Not by Me): Why We Justify Foolish Beliefs, Bad Decisions, and Hurtful Acts was awesome. I really liked Predictably Irrational: The Hidden Forces That Shape Our Decisions and The Black Swan: The Impact of the Highly Improbable too.

Thanks for the other recs too! I have a huge list now for the next time I'm at a bookstore (hopefully this weekend). :D

So there are tons of artificial intelligence-related jobs. And human factors design jobs, because how people interact with interfaces is part of it too. Things like, should it be a male voice or a female voice in your car telling you to fasten your seatbelt? What words, exactly, should such a voice use for each of the commands/suggestions?
I discovered it as a career possibility when I took Psycholinguistics as an undergrad. Like you, I'd had no idea such a thing existed until then. I had a lousy teacher but a great textbook, so eventually I stopped going to class and just read the book. My graduate advisor has a copy of it, and said it's one of the best in the field, so I got lucky with that.
The book is Psychology of Language, and the particular edition we were discussing was the fourth. With a fifth out now, it looks like you can actually get a used copy of the fourth in good condition pretty cheaply on Amazon, if you're interested. It definitely doesn't read like a novel, but would give you a better idea of the sort of research out there and whether you might want to go in depth with any of it.
From what you've said, I suspect you might find Lera Boroditsky's research as fascinating as I do. Others who come readily to mind (because I looked into studying with all of them, lol) that I think might also be of interest to you are Boaz Keysar, Ray Gibbs, Natasha Tokowicz... and many others, but that's who's off the top of my head.

I don't think I have. What do you recommend?


Jenn, thanks for the recs!
Because I'm not a one size fits all kind of reader. If I'm reading an action thriller, then yes the characters have to be good, but the plot is much more important; whether it hangs together, makes sense, no logic holes, unexpected twists and surprises. If I'm reading something character based like romance, then the characters and their story arc is where almost all of my attention is. And I still want a plot, only it's secondary.
And then there's stuff that I read just because, and sometimes the writing is enough to carry everything while I forgive both plot and character flaws (Harper Fox is a great example in m/m).
So in fiction, I'd say it goes something like this: plot and/or character on kind of equal footing depending, then the storytelling which is a nebulous way of lumping together pacing/structure/balance/flow, then good writing (because I can forgive a lot if the story telling is good), then grammar and proof reading.