Fictional Introverts vs Fictional Extroverts
A few months ago, there were a series of articles around the 'net debating whether or not there are enough intoverted protagonists in YA fiction. The original article argued that there are not enough introvert leads, while the other pointed to a slew of characters who self-identify as quiet and shy.
Actually, I think both bloggers are right. While there are lots of examples of main characters--particularly in YA, or in fantasy stories staring teenagers-- of introvert characters, many of these stories place a great deal of emphasis on the characters overcoming their shyness and kicking ass, as though it was a flaw rather than a personality trait*. In all fairness, extrovert characters are often written as being generally loud and sassy, but don't get a lot of depth.
One way to get out of this trap is to think about the two personality types more deeply. Although the shy vs loud stereotype can certainly have some truth, it's not the only manifestation of introversion or extroversion. Essentially, introverts are people who need alone time to process and recharge, and work best independently (preferably in their own heads); extroverts are people who need company (the more the merrier!) to recharge, and work best with groups where they can brainstorm and think aloud. It's totally possible to have 'bold introverts' who enjoy parties, public speaking and other stereotypical extrovert activities, but then need some time alone to re-energise. Likewise, one can have shy extroverts who have trouble meeting new people, even if they love the company of their existing social group. And almost everyone modifies their behaviour depending on social context.
Secondly, it's a good idea to look at the traits associated with each personality group instead of reverting to the 'wallflower' and 'class clown' types. It would be great to see characters really taking advantage of their personalities-- have an extrovert 'working the room' at a party, or an introvert using their sensitivity to detail to solve a mystery. Instead of having the person 'overcome' their personality, let them figure out ways to use their natural strengths.
If you want a more detailed exploration of all this, I'd recommend the book Quiet by Susan Cain. It focuses on introverts, but there's lots of info about extroverts as well-- great food for thought when you're developing your characters.
*Personally, I'm an introvert (INTJ, for all you first-year psych students).
Actually, I think both bloggers are right. While there are lots of examples of main characters--particularly in YA, or in fantasy stories staring teenagers-- of introvert characters, many of these stories place a great deal of emphasis on the characters overcoming their shyness and kicking ass, as though it was a flaw rather than a personality trait*. In all fairness, extrovert characters are often written as being generally loud and sassy, but don't get a lot of depth.
One way to get out of this trap is to think about the two personality types more deeply. Although the shy vs loud stereotype can certainly have some truth, it's not the only manifestation of introversion or extroversion. Essentially, introverts are people who need alone time to process and recharge, and work best independently (preferably in their own heads); extroverts are people who need company (the more the merrier!) to recharge, and work best with groups where they can brainstorm and think aloud. It's totally possible to have 'bold introverts' who enjoy parties, public speaking and other stereotypical extrovert activities, but then need some time alone to re-energise. Likewise, one can have shy extroverts who have trouble meeting new people, even if they love the company of their existing social group. And almost everyone modifies their behaviour depending on social context.
Secondly, it's a good idea to look at the traits associated with each personality group instead of reverting to the 'wallflower' and 'class clown' types. It would be great to see characters really taking advantage of their personalities-- have an extrovert 'working the room' at a party, or an introvert using their sensitivity to detail to solve a mystery. Instead of having the person 'overcome' their personality, let them figure out ways to use their natural strengths.
If you want a more detailed exploration of all this, I'd recommend the book Quiet by Susan Cain. It focuses on introverts, but there's lots of info about extroverts as well-- great food for thought when you're developing your characters.
*Personally, I'm an introvert (INTJ, for all you first-year psych students).
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