Cort McMeel RIP--your passing casts a giant shadow
Mario here:
In a week brimming with bad tidings, we were still sucker punched by the news that Cort McMeel took his life.
We all know people who seem to teeter on self-destruction, and if they happen to do themselves in, we're not surprised.
But Cort was a different story.
You couldn't help but notice him. He was loud, boisterous, and earthy--a roman candle of mirth and optimism. Highly educated and exceptionally well-read, he wasn't shy about sharing his opinions, especially when it came to literature and writing. And he was just as gracious and friendly. Already a physically imposing character, his ebullient personality filled a room like exploding fireworks. Yet you never felt diminished by him, in fact we all shined brighter the closer we stood beside him.
Me and Cort at a Lighthouse gathering.
His reputation truly preceded him as I learned about Cort through his Murdaland anthology months before actually I met him. And when we did meet, he instantly acknowledged that he knew of me through my books and that he had looked forward to the introduction. And he was as effusive with other writers. When he recently became acquainted with our own Jeanne, Cort gushed that he enjoyed her Doc Holliday story.
Above all, Cort loved hard-boiled noir. He'd summon a few of us fellow mystery writers like Benjamin Whitmer and Jon Bassoff to his favorite watering hole, The Thin Man in the Park Hill neighborhood, where we discussed books, teaching, and our writing projects. It was through Cort that I learned about Charles Bukowski, Graham Greene, and Daniel Woodrell. He was eager to receive our comments on his almost completed cage fighter novel, and he was equally excited to read my next work-in-progress. But foremost, Cort cranked the levers of those projects promoting his beloved mystery genre. Having already demonstrated his chops as an editor and publisher with Murdaland, Noir Nation, and Bare Knuckles Press, he was ready to move forward with an ebook publishing venture. He was the force behind Denver's Noir@Bar and saw that venue as the foundation for an ambitious mystery writing program.
Dan Manzanares (l) and Cort at Lighthouse.
Cort led writing seminars at the Lighthouse Writers Workshop where he was fondly regarded as an exceptional and popular instructor. To appreciate his infectious radiance, check out these photos of the book launch party for his debut novel, Short.
It wasn't as if Cort didn't face challenges. He had recently lost his job as a day trader but assured me that he had enough money set aside and had several writing projects to help with the family cash flow.
Writer, author, boxer, rugby player, hunter, Cort swung at opportunity with two-fisted bravado. He tackled life with Hemingway-esque drama, and ironically, died the same way.
Demons tormented Cort. Not mischievous imps or the devil's henchmen that we find in urban fantasy, but real demons--those destructive impulses that torment a person to madness.
I knew Cort as a raucous, happy drunk. Even with his reputation as a hard-drinking Irishman, around me he'd cut himself off at two drinks (more or less), claiming that he had to behave himself. The one time we did plan a late night of boozing, I was done at eleven but Cort still knocked the drinks down, slapping backs and making new friends around the bar. He dismissed my concerns about him getting home safe, and I let it go at that. After all, I wasn't his nanny. The next morning he texted that he had slept the night in his car and then driven straight to work. Two weeks ago at our Mystery Writers meeting, I bought him beers for his dinner. But the truth was, Cort struggled against the bottle. Concerned about the affect his alcoholism was having on his wife and children, Cort tried AA. And quit. And continued his lonely battle.
He kept his other demon well hidden. Behind his smiles and good-natured swagger, Cort habored a corrosive bleakness about the futility of life. Despite his accomplishments and plans and people in his corner, he somehow talked himself into believing that he had run out of hope.
Last Friday, Jon and I waited at The Thin Man to plan for the next Noir@Bar. Cort never showed up and I texted him, asking if he was okay. He never answered.
Many years ago, my father committed suicide (as well as other heinous acts), and it took decades for the wounds to heal. So while my grief for Cort is biblical in its pain, I cannot pretend that my anguish is close to what his family suffers.
I can't claim that I knew Cort as well as other writers, especially Les Edgerton. Even so, I deeply admired Cort and will miss him dearly.

In a week brimming with bad tidings, we were still sucker punched by the news that Cort McMeel took his life.
We all know people who seem to teeter on self-destruction, and if they happen to do themselves in, we're not surprised.
But Cort was a different story.
You couldn't help but notice him. He was loud, boisterous, and earthy--a roman candle of mirth and optimism. Highly educated and exceptionally well-read, he wasn't shy about sharing his opinions, especially when it came to literature and writing. And he was just as gracious and friendly. Already a physically imposing character, his ebullient personality filled a room like exploding fireworks. Yet you never felt diminished by him, in fact we all shined brighter the closer we stood beside him.

Me and Cort at a Lighthouse gathering.

Above all, Cort loved hard-boiled noir. He'd summon a few of us fellow mystery writers like Benjamin Whitmer and Jon Bassoff to his favorite watering hole, The Thin Man in the Park Hill neighborhood, where we discussed books, teaching, and our writing projects. It was through Cort that I learned about Charles Bukowski, Graham Greene, and Daniel Woodrell. He was eager to receive our comments on his almost completed cage fighter novel, and he was equally excited to read my next work-in-progress. But foremost, Cort cranked the levers of those projects promoting his beloved mystery genre. Having already demonstrated his chops as an editor and publisher with Murdaland, Noir Nation, and Bare Knuckles Press, he was ready to move forward with an ebook publishing venture. He was the force behind Denver's Noir@Bar and saw that venue as the foundation for an ambitious mystery writing program.


Cort led writing seminars at the Lighthouse Writers Workshop where he was fondly regarded as an exceptional and popular instructor. To appreciate his infectious radiance, check out these photos of the book launch party for his debut novel, Short.

It wasn't as if Cort didn't face challenges. He had recently lost his job as a day trader but assured me that he had enough money set aside and had several writing projects to help with the family cash flow.

Writer, author, boxer, rugby player, hunter, Cort swung at opportunity with two-fisted bravado. He tackled life with Hemingway-esque drama, and ironically, died the same way.

Demons tormented Cort. Not mischievous imps or the devil's henchmen that we find in urban fantasy, but real demons--those destructive impulses that torment a person to madness.
I knew Cort as a raucous, happy drunk. Even with his reputation as a hard-drinking Irishman, around me he'd cut himself off at two drinks (more or less), claiming that he had to behave himself. The one time we did plan a late night of boozing, I was done at eleven but Cort still knocked the drinks down, slapping backs and making new friends around the bar. He dismissed my concerns about him getting home safe, and I let it go at that. After all, I wasn't his nanny. The next morning he texted that he had slept the night in his car and then driven straight to work. Two weeks ago at our Mystery Writers meeting, I bought him beers for his dinner. But the truth was, Cort struggled against the bottle. Concerned about the affect his alcoholism was having on his wife and children, Cort tried AA. And quit. And continued his lonely battle.
He kept his other demon well hidden. Behind his smiles and good-natured swagger, Cort habored a corrosive bleakness about the futility of life. Despite his accomplishments and plans and people in his corner, he somehow talked himself into believing that he had run out of hope.
Last Friday, Jon and I waited at The Thin Man to plan for the next Noir@Bar. Cort never showed up and I texted him, asking if he was okay. He never answered.
Many years ago, my father committed suicide (as well as other heinous acts), and it took decades for the wounds to heal. So while my grief for Cort is biblical in its pain, I cannot pretend that my anguish is close to what his family suffers.
I can't claim that I knew Cort as well as other writers, especially Les Edgerton. Even so, I deeply admired Cort and will miss him dearly.
Published on April 21, 2013 21:20
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