A to Z - The Mummy

Well I'm continuing the black and white classic theme from yesterday, which was L for The Lodger, and going onto possibly my favourite horror movie, The Mummy. No, I don't mean the 1999 action adventure starring Brendan Fraser, I mean the original 1932 version, starring Boris Karloff as the Mummy. Set in the 1920s, a decade which saw fevered interest in ancient Egypt following the discovery of Tutankhamun's tomb, the film tells the story of Imhotep, an ancient priest who is awoken by the mysterious Scroll of Thoth that has the power to grant life. He encounters Helen (Zita Johann), the woman who was Anck-sa-namun in a previous life - basically, she's the princess he used to love. Helen ends up subject to a tug of war between Imhotep and her 1920s boyfriend, a slightly insipid Frank (David Manners).



What I love about The Mummy is that the monster, here the ambling mummy now posing as an archaeology enthusiast named Addis Bey, essentially becomes the romantic love interest for Helen, and while Frank is the pretty boy son of a sir, she's given the choice between Beauty and the Beast. Trouble is, the Beast is far more interesting. Karloff is positively magnetic in this role, and we're treated to close ups of those mesmerising eyes as he works his magic on various characters. I think I sometimes get a bit cross with the implication that the mummy is a monster when really, he just wants his old girlfriend back. Plus, when he shows Helen a dream sequence of their life together in ancient Egypt, I just wonder how on earth Frank thinks he can possibly compare - Imhotep has had a passionate life with her already, and the best Frank can do is wring his hands with worry.



Karloff and Johann (herself a rather exotic beauty) make a much better couple, and I found myself rooting for them throughout the film. OK, so Imhotep wants to kill Helen so he can resurrect her to the same state of immortality that he himself enjoys, but what's so wrong with that? People always bang on about wanting to spend eternity together - these guys actually have the chance. Frank doesn't even really get to save the day - Helen pretty much has to save herself. Yes, he's that useless.



One of the things I love about the early Universal films is their length. They're quite short (The Mummy runs at 73 minutes) but they tell their story perfectly, without recourse to lengthy padding or pointless dialogue exchanges. I'm no fan of 3D cinema, and films like these just prove that you don't need fireworks and fancy visuals to tell a good story well.



I couldn't find any decent clips, and while I would recommend watching the whole movie, I'll leave you with the trailer...