I don’t normally view Character Portraits as companion pieces, but these two for Clayface and Killer Croc have a similar visual structure: each character comprises only half the visual space, the story being less their physical bodies than their reaction to what’s on the other half of the screen.
Matt Hagen: Then and Now
Matt Hagen as Clayface viewing an old movie poster – Matt Hagen as Grant Gifford in Advocate for Love. (“Spirited but derivative” -Roger Ebert, Metropolis Sun Times)
When I introduced Matt in Blueprints I borrowed an amusing character bit from Simon Brett’s Charles Paris. Whenever he remembers a role he played, he mentally recites one or two of the reviews. I had forgotten that we alluded to this with his character portrait, quoting none other than Roger Ebert. RIP to that greatest of rarities, a critic we could all respect.
“I never have any trouble with Waylon since I showed him a picture of his head photoshopped onto a green crocodile Kelly bag.” -Selina Kyle, The Gotham Post
Published on April 07, 2013 07:36