"Murder! Infidelity! Brain damage!"
That could've been the tagline for the MGM (yes, they made dark stuff too, not just glossy musicals) noir High Wall (1947).
Y'see, High Wall is a terrific example one of a fascinating film subgenre ... the damaged vet/re-establish life and family noir, sometimes with amnesia thrown in as a sideline (others include The Crooked Way (1949), The Blue Dahlia (1946), Somewhere in the Night (1946), and last week's Cornered (1945)).
Amnesia was a staple of films, particu
Published on May 12, 2009 17:56