Working on Scorpion II

I spent yesterday re-acquainting myself with the first 60-odd pages of Lying with Scorpions, the sequel to Scorpion. Before that, I discussed the plot with my partner, who's incredibly helpful in one way: we strongly disagree on some points, but his opposition helps me carve out and crystallise what I want in the book. He's the anti-foil, the anti-sounding board. I understand other authors have partners who are better at positive plotting, actually suggesting things that fit and solve problems, but I'm not moaning about mine. It does help, and he puts a great deal of thought and common sense into what he suggests, so it's all good, even if very few things he says actually make it into the book.

One of the things I worried about is how to complete Kendras's growth. He's still terribly dependent on his lover/future king, and that does seem like a violation of the Scorpion codex. I have a lot of thoughts about how to spin this, but essentially, it doesn't feel much like a romance at this point. The core relationship will get taxed and stressed to the max, and I see a "dark moment" that's really quite terribly dark. Above all, it's a coming-of-age story of Kendras, who takes the mantle of "officer" and everything else has to be subsumed under it. Not that I don't already know who his successor will be--if it comes to that.

Damn, I do like that world. I could tell you of the Jaishani ambassador or General Graukar, or a mysterious brigand called "Death", but I should really do that on the page. Essentially, I have so much plot that I might end up with two sequels. If that is the case, the point where I saw this book ending makes perfect sense. As my dude pointed out, the ending of the second part in a trilogy is the darkest point, vid The Empire Strikes Back: An unprepared Luke Skywalker challenges Darth Vader and gets his ass handed to him.

In this particular book, I'm examining the nature of empire building versus leadership. Considering I worked academically on Charlemagne and how he screwed over the Bavarians and the Lombards, I have some specific ideas on how that works, which may or may not colour my perception of "Empire". So, yeah. Lying with Scorpions is actually dark. I don't think I'll be quite as pitiless as George RR Martin to my characters, but it certainly doesn't look like an easy ride. I'm hoping it'll be an interesting ride.

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Published on February 24, 2013 04:47
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message 1: by Christina (new)

Christina Oh, I love Lying with Scorpions for a title. I'm ready. Bring on the darkness!


message 2: by Sun (new)

Sun I may throw a tantrum about it...but...ok...if you must. :)

Still hoping, eventually, for a Kendras/Adrastes HEA.


message 3: by Ilhem (new)

Ilhem Christina wrote: "Oh, I love Lying with Scorpions for a title. I'm ready. Bring on the darkness!"

Same here!


message 4: by Susinok (new)

Susinok Bring it!


message 5: by Katie (new)

Katie Sounds great! Can't wait!


message 6: by [deleted user] (new)

Super :-D can't wait to read the serie.


message 7: by Julio (last edited Mar 01, 2013 02:05AM) (new)

Julio Genao Can't wait. Also: you can't go wrong using Empire as a model—there's a reason it's the most beloved in the entire canon [besides that Lucas didn't write it himself]. It's the distillation of millennia of storycraft, from pater-issues to the classic part-two clusterfuck you alluded to.

I'm happy to read that you have so many ideas—Scorpion and Kendras are special to me :-)


message 8: by Aleksandr (new)

Aleksandr Voinov Thanks guys. I'm doing outlining and twiddling and a little bit of writing, so it's gathering steam. :)

Julio - It's not going to be quite as complex, though some Big Things are happening. They do, however, go mostly wrong. :) (And yeah, Lucas had the good sense to hire incredible talent to help him pull it all off...)


message 9: by Julio (new)

Julio Genao Aleksandr wrote: "Lucas had the good sense to hire incredible talent to help him pull it all off..."

Would that he'd done so more than just the once.


message 10: by Aleksandr (new)

Aleksandr Voinov I understand the woman who wrote/rewrote his dialogue especially died between the first three and then the other three films. Which explains everything.


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