Guest Post: Charlene Raddon – Handbags!

by C. Margery Kempe

I’m pleased as can be to have fellow Tigearr Publishing author Charlene Raddon as my guest today. She will be giving away a copy of her western romance To Have and To Hold as well as a $5 Amazon gift certificate. She’s got a little piece of history that I know will be of interest to a lot of folks:

A History of Purses and Handbags

Ever wondered about the origin of handbags and purses, essential to fashion history ever since people needed something to carry around with them. The written first mention comes from the 14th century, although we do know that Egyptian hieroglyphs show pouches carried around the waist. Bags were attached to what were called “girdles” fastened to the waist. Embroidery and jewels adorned these articles and were used to show status—the richer the person, the more elaborate the bag.

In the 16th century, handbags became more practical with the use of everyday materials such as leather and a drawstring closure. During this period, larger cloth bags were used by travelers and carried diagonally across the body. More variety appeared in the 17th century, and both fashionable men and women carried small purses with complex shapes. Young girls were taught embroidery as a very necessary skill to make them marriageable and resulted in beautiful and unique stitched artwork in handbags.

Neo-classical clothing became popular in the 18th century, with a reduction in the amount of underclothing worn by women. To avoid ruining the look of this clothing ladies carried bags called reticules. Women had a different bag for each occasion and every fashion magazine had arguments on the proper carrying of purses. In reticules one might find rouge, powder, a fan, a scent bottle, visiting cards, a card case, and smelling salts.

The term “handbag” first appeared in the early 1900′s and generally referred to hand-held luggage bags usually carried by men. These were an inspiration for new bags that became popularized for women, including handbags with complicated fasteners, internal compartments, and locks. With this new fashion, jewelers got into the act with special compartments for opera glasses, cosmetics, and fans.

Due to the revolution in fashion—with varying hemlines and lighter clothing—in the 1920s, bags no longer needed to match the outfit perfectly. The rage was for the stylish lady to carry a doll wearing an identical costume to her own, complete with matching bag.

The 1940s saw new austerity in clothing, including handbags because of the war effort. Metal frames, zips, leather, and mirrors were in short supply so manufacturers resorted to using plastic and wood. This continued into the 50s. I well remember the boxy little plastic purses I had when I was young. The 50s also saw the rise of important designer houses including Chanel, Louis Vuitton, and Hermes, while the 60s saw old notions of the classical and the rise of youth culture broken down.

I wish I’d known all this years ago when I wrote my books. Now I must hope I used the correct terms for the time period in which my story took place. This is why an author cannot do too much research. Do any of you own any vintage or antique bags? Most would still be popular to carry today under the right circumstances. What sort of bag did you carry to your school prom?

 

Charlene’s first serious writing attempt came in 1980 when she awoke one morning from an unusually vivid and compelling dream. Deciding that dream needed to be made into a book, she dug out an old portable typewriter and went to work. That book never sold, but her second one, Tender Touch, became a Golden Heart finalist and earned her an agent. Soon after, she signed

a three book contract with Kensington Books. Five of Charlene’s western historical romances were published between 1994 and 1999: Taming Jenna, Tender Touch (1994 Golden Heart Finalist under the title Brianna), Forever Mine (1996 Romantic Times Magazine Reviewer’s Choice Award Nominee and Affaire de Coeur Reader/Writer Poll finalist), To Have and To Hold Affaire de Coeur Reader/Writer Poll finalist); and writing as Rachel Summers, The Scent of Roses. Forever Mine and Tender Touch are available as e-books and after January 24, To Have and To Hold will be as well. When not writing, Charlene loves to travel, crochet, needlepoint, research genealogy, scrapbook, and dye Ukrainian eggs.

Buy Charlene’s books here:

Amazon

Tirgearr Publishing

Filed under: C. Margery Kempe, Kit Marlowe