a room of one’s own

For me, being alone is a luxury. Being in London for Xmas was wonderful, but the real indulgence was the days I spent indoors, seated next to the window with my laptop warming my legs. If the curtains were open there was a draft, so I sometimes shut the drapes, turned on the lights to fight the winter gloom, and delved into The Deep. I watched a lot of TV while I was over there, though I managed not to get sucked into watching Lord of the Rings again. Instead I watched back to back episodes of (US) Law & Order, and three or four episodes of Time Team. A writer is a kind of digger and so it’s no surprise that I should be fascinated by archaeology. I’ve got a London novel u_48284861_-29 - Copybrewing in my mind. Ever since I found out about Sarah Forbes Bonetta and Walter Dean Myers’ nonfiction book about her, I’ve been interested in fictionalizing her story. My original idea was to focus on the mulatta sugar heiresses who came to London from the Caribbean hoping some desperate second son would overlook race in favor of wealth. Then I learned there was a large black population in Wales and that intrigued me. Now I feel like anything’s possible since black people have lived in England for hundreds if not thousands of years. For now I’m focusing on Nyla and her initiation into the league of “pressers.” I wrote for hours on Xmas, reaching 10K words, and then did some structural work on Boxing Day. The next day I cleared out of the flat and met my friend Mary for a full English breakfast. I’m so grateful to have friends who love literature as much as I do, and Mary’s a scholar of African American women’s fiction so we talked for hours about black authors and their books. On the flight home I thought about our conversation and the way motherhood impacts a woman’s ability to make art. I’ve blogged before about the film Who Does She Think She Is; mothers are unbelievable multi-taskers and parenting doesn’t preclude making art. But it changes things. I watched Miss Potter while I was away imagesand couldn’t help but frown at the way wealth enabled Beatrix Potter to develop her charming characters and highly profitable book series. She was encouraged to sketch and paint as the child of wealthy parents, she was taken on annual holidays that nourished her imagination, and then she had the choice of accepting an aristocratic suitor or remaining unmarried in her parents’ home. She had the time and means to produce art—something a working class woman wouldn’t have had. I love Peter Rabbit and I know it wasn’t easy for even a wealthy white woman to become a published author at the turn of the 20th century. But most women in the world can’t afford the luxury of a room of one’s own—never mind a home full of servants who silently cook your food and wash your clothes. Mary and I discussed my future as an author and she encouraged me to stay in the academy. I became debt-free this year and plan to work hard at staying debt-free for as long as possible. But as someone who doesn’t write commercial fiction and struggles to place each manuscript, the academy is a decent home. What other job would give me five weeks to write over the holidays? This past semester nearly broke me but I’m developing a new course for the spring and hope that finishing The Deep will lift my spirits. I’m working on my end of year slideshow and was surprised to see how productive 2012 was—I fell short of some goals but achieved others and have a long To Do list ready for 2013. Jayne Cortez passed away yesterday and the death of a great woman artist always reminds me to press on. Tomorrow isn’t promised so produce TODAY…



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Published on December 29, 2012 04:35
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