The “spatialisation of culture under the pressure of organised capitalism” is how the veteran critical theorist Fredric Jameson described the Westin Bonaventure hotel in downtown Los Angeles. This behemoth of a hostelry comprises a curious agglomeration of four giant squeezy bottles coated with mirrored glass grouped around a six-storey high atrium, up the sides of which shoot glass lifts. The Westin – which has a stand-still part in the epochal video-game series Grand Theft Auto – was, with...
Published on December 15, 2012 01:00