Keyboards at the ready...Charge!
Mario here:
What I'm reading: The Alien Years by Robert Silverberg.
It's NaNoWriMo. Do you know where your Muse is at?
One popular question for writers is, "Where do your ideas come from?" It's a tough question to answer because for us fiction writers, ideas come from everywhere. It could be from a wedding veil lying in a deserted alley, or a man in a business suit running down the street, or from overhearing an argument in a posh restaurant. I guess the seed for a story is that detail that sticks out from its surroundings, the proverbial What if?
Maybe the veil was tossed by a jilted bride. The man running down the street has left his mistress' panties in his luggage, which his wife will soon unpack, and he's racing to catch a cab home. The argument could be over a house a couple is about to buy, which is actually a fight over the fact that he hates her mother.
Once we get these ideas, we have to weave them into a larger story. Some ideas can be scenes within the story, and others can be drivers for the plot. How people interact on the subway can add nice texture to a scene. I once read an article about how corporations are buying fresh-water rights all over the world and used that as a plot theme in the Undead Kama Sutra, a tale about alien gangsters and vampires.
I'm surprised when other people--normal people I suppose--aren't constantly letting themselves get lost in the narrative threads around us. Then I suppose normal people aren't trying to write fifty thousand words in thirty days.

It's NaNoWriMo. Do you know where your Muse is at?

One popular question for writers is, "Where do your ideas come from?" It's a tough question to answer because for us fiction writers, ideas come from everywhere. It could be from a wedding veil lying in a deserted alley, or a man in a business suit running down the street, or from overhearing an argument in a posh restaurant. I guess the seed for a story is that detail that sticks out from its surroundings, the proverbial What if?
Maybe the veil was tossed by a jilted bride. The man running down the street has left his mistress' panties in his luggage, which his wife will soon unpack, and he's racing to catch a cab home. The argument could be over a house a couple is about to buy, which is actually a fight over the fact that he hates her mother.
Once we get these ideas, we have to weave them into a larger story. Some ideas can be scenes within the story, and others can be drivers for the plot. How people interact on the subway can add nice texture to a scene. I once read an article about how corporations are buying fresh-water rights all over the world and used that as a plot theme in the Undead Kama Sutra, a tale about alien gangsters and vampires.
I'm surprised when other people--normal people I suppose--aren't constantly letting themselves get lost in the narrative threads around us. Then I suppose normal people aren't trying to write fifty thousand words in thirty days.
Published on November 04, 2012 18:33
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