[photo by fairly bouyant @ flickr under creative commons:]
at the tate yeserday, where i finally saw miroslaw balka's how it is, his installation in the turbine hall, a vast, dark steel container you enter by walking up a ramp then wander around inside. i was disappointed, to be honest. one of the main intentions (i assume he oversaw the accompanying explanatory text) is to profoundly disorient and unsettle the viewer by plunging them into complete darkness, which it does only very briefly...
Published on February 07, 2010 01:23