Have you worked with an illustrator yet? Here are 12 Tips

play script, San Francisco, roaring twenties, flappers, running away, child abuse,       I have two illustrators that I use for different needs.  One needs very little from me in concept; she seems to be inside my head. I send her a synopsis of my story, a few ideas and suddenly there’s my cover!  Just as I saw it in my mind. For the cover to your left, I said  to my illustrator: “It takes place in San Francisco, roaring twenties, my mother owned a bar and grill, she was a flapper and she neglected her two children….”  And this was the result.  Brilliant!


The illustrator for my children’s books is brilliant in a different way.  He reads the story as I write it with clear instructions (from me) on where I want the illustrations placed in my story book.  Then he creates all these different perspectives that I would never have dreamed about.  They are truly wonderful.


So I thought I would share these tips, with you, about working with another artist.  Hopefully they are helpful as you work with your ‘image-maker’.


Tip #1:  Be patient.


Tip #2: They are artists, much like you, so they are sensitive about their art.


Tip #3:  Don’t push them; they have a time-table that might not be yours.  I do state my time-table in the beginning of a project and get some assurance that they will try to meet it.


Tip #4: Be patient.


Tip #5: Be certain that you give them at least two credits in your publication, book or script. I routinely credit them on the back (exterior) cover and on one of the first pages in the book.


Tip #6:  Pay them the most that you can budget.  Remember the old adage: ‘a picture is worth a thousand words’.


Tip #7:  Because I am on a budget; I state my rates (per size of image) right up front.  Be honest.


Tip #8: Be patient.


Tip #9:  Don’t be afraid to use students at an art school.  I routinely use them (or graduates) from the Savannah College of Art and Design.  They are fresh, have the newest technology, and are the most excited by the project.  Do I occasionally meet a ‘prima dona’?  Who, without any work history, without any credits of any kind, without any life experience, behaves as if they work for a big city design firm, expecting top dollar and……. are confused when you don’t see it that way. (sigh) Yes,  I have!


Tip #10: Try to be as clear as you can on what you want in the image.  Don’t be afraid to tweak the work as you and your illustrator work together.  My illustrators appreciate the second set of eyes.


Tip #11: Pay the illustrator promptly.  As I have my illustrator working as I write; when I receive final images I pay him as we go along.  I don’t make them wait until the project is finished to be paid.


Tip #12: Be patient.[image error]


 


 


 

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Published on August 28, 2012 05:45
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