NUMÉRO DEUX
From Sight and Sound (Spring 1976). –- J.R.
Numéro Deux
If Numéro Deux is the most important film of Jean-Luc Godard in nearly a decade — specifically, since 2 ou 3 Choses que je sais d’elle -– one should explain at the outset what gives these films privileged places within his oeuvre. Focusing in 35mm and [...]
Numéro Deux
If Numéro Deux is the most important film of Jean-Luc Godard in nearly a decade — specifically, since 2 ou 3 Choses que je sais d’elle -– one should explain at the outset what gives these films privileged places within his oeuvre. Focusing in 35mm and [...]
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Not quite a complete compendium of my published writing, but a very comprehensive one, including all of my writing for the Chicago Reader and most of my writing for other publications (including Film
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